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Annie Miller

Producer and writer

Works as
Producer and writer
Titles
5 on MovieCove

What are Annie Miller's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
44%
Bonds
27%
Survival
18%
Power
5%
Morality
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 2 · Heightened 1

Gentle 0 · Charged 5 · Intense 0

Steady 0 · Shifting 5 · Whiplash 0

Straight-faced 2 · Some laughs 3 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 1

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
2
Melancholic
2
Bittersweet
2
Romantic
1
Joyful
1
Other
3

How their films end

  • Happy2
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Annie Miller's films?

As of October 27, 2026, none of Annie Miller's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Annie Miller's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

  • La petite Lili(2003)

    Producer

    Midcredits score: 49th percentile of all films
  • Alias Betty(2001)

    Producer

    Midcredits score: 74th percentile of all films
  • The Smile(1994)

    Producer

    Midcredits score: 26th percentile of all films
  • The Little Thief(1988)

    Writer

    Midcredits score: 74th percentile of all films
  • L'effrontée(1985)

    Writer

    Midcredits score: 75th percentile of all films

Career shape

Across their 5 MovieCove titles from 1985 to 2003.

By role

only this rolewith another role
Writing2 of 5: 2 only writing, 0 with another roleProducing3 of 5: 3 only producing, 0 with another role

By decade

1980s2 · crew1990s1 · crew2000s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Annie Miller's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 5

Approval · how many liked their films

74thpercentile
Typical film, the median of 5

Reach · how many have seen their films

61stpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed1

Reviewers score the dialogue 55/100 and the plot and story 52/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Annie Miller work with?

People who share at least 2 of Annie Miller's MovieCove titles, grouped by what they did on them; Claude Miller shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers