Ivan Moffat

What are Ivan Moffat's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ivan Moffat's films?

As of October 24, 2026, 4 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Florence Nightingale (1985) · writer · free
  • The Heroes of Telemark (1965) · writer · free
• MGM+1 title, browse their movies on this service
  • Black Sunday (1977) · writer
• Paramount+1 title, browse their movies on this service
  • Shane (1953) · producer
• Pluto TV1 title, browse their movies on this service
  • Black Sunday (1977) · writer · free
• The Roku Channel1 title, browse their movies on this service
  • Florence Nightingale (1985) · writer · free

Subscription and free streaming for Ivan Moffat's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 16 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

• 

  D-Day to Berlin: A Newsnight Special (not in the MovieCove catalog yet)(1985)

  Director
• 

  Florence Nightingale(1985)

  Story · Teleplay

  Midcredits score: 77th percentile of all films77^th
• 

  The Challenge(1982)

  Writer

  Midcredits score: 48th percentile of all films48^th
• 

  Black Sunday(1977)

  Screenplay

  Midcredits score: 71st percentile of all films71^st
• 

  Hitler: The Last Ten Days(1973)

  Adaptation

  Midcredits score: 60th percentile of all films60^th
• 

  The Heroes of Telemark(1965)

  Screenplay

  Midcredits score: 65th percentile of all films65^th
• 

  Tender Is the Night(1962)

  Screenplay

  Midcredits score: 42nd percentile of all films42^nd
• 

  They Came to Cordura(1959)

  Screenplay

  Midcredits score: 60th percentile of all films60^th
• 

  The Wayward Bus(1957)

  Screenplay

  Midcredits score: 59th percentile of all films59^th
• 

  Boy on a Dolphin(1957)

  Screenplay

  Midcredits score: 49th percentile of all films49^th
• 

  Giant(1956)

  Screenplay

  Midcredits score: 95th percentile of all films95^th
• 

  D-Day the Sixth of June(1956)

  Screenplay

  Midcredits score: 38th percentile of all films38^th
• 

  Bhowani Junction(1956)

  Screenplay

  Midcredits score: 55th percentile of all films55^th
• 

  Shane(1953)

  Associate Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Something to Live For(1952)

  Associate Producer

  Midcredits score: 61st percentile of all films61^st
• 

  A Place in the Sun(1951)

  Associate Producer

  Midcredits score: 95th percentile of all films95^th
• 

  I Remember Mama(1948)

  Executive Assistant

  Midcredits score: 96th percentile of all films96^th
• Balloon Site 568 (not in the MovieCove catalog yet)(1942)

  Director

Career shape

A full career of 18 titles from 1942 to 1985.

Biggest box office

Giant (1956)

$33M worldwide

Highest rated

A Place in the Sun (1951)

Midcredits 95^th

Most popular right now

Giant (1956)

How do Ivan Moffat's films land?

Their typical MovieCove film has a Midcredits score in the 61^st percentile, the median of all 16; across their 14 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

9 of their 16 titles are Crowd Pleasers.

492

• Universally Loved4
• Crowd Pleaser9
• Broadly Agreed1
• Mixed2

Most divisive · writer

Florence Nightingale (1985)

50^th percentile spread · 10% rated it 4 or lower

Most loved · producer

A Place in the Sun (1951)

Midcredits 95^th · 84% liked

Reviewers score the dialogue 48/100 and the plot and story 53/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ivan Moffat's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ivan Moffat work with?

People who share at least 2 of Ivan Moffat's MovieCove titles, grouped by what they did on them; George Stevens shares the most, 3.