- Editor and producer
- 10 on MovieCove
What are William Mace's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
A split, not a type: Light 3 · Serious 2 · Dark 4
Grounded 6 · Stylized 3 · Heightened 0
Gentle 2 · Charged 5 · Intense 2
Steady 3 · Shifting 6 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 1
Slow burn 7 · Even-paced 2 · Relentless 0
Casual 6 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 3 · Heavy 4
Resolved 7 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Mace's films?
As of October 24, 2026, 1 of their 10 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for William Mace's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Five Minutes to Live(1961)
Midcredits score: 24th percentile of all films
The Diary of Anne Frank(1959)
Midcredits score: 88th percentile of all films
Midcredits score: 53rd percentile of all films
The Bravados(1958)
Midcredits score: 82nd percentile of all films
The Sun Also Rises(1957)
Midcredits score: 50th percentile of all films
Boy on a Dolphin(1957)
Midcredits score: 49th percentile of all films
Teenage Rebel(1956)
Midcredits score: 39th percentile of all films
D-Day the Sixth of June(1956)
Midcredits score: 38th percentile of all films
Midcredits score: 59th percentile of all films
Midcredits score: 78th percentile of all films
Career shape
A full career of 10 titles from 1953 to 1961.
Biggest box office
The Bravados (1958)
Highest rated
The Diary of Anne Frank (1959)
Most popular right now
The Bravados (1958)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William Mace's films land?
Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 10 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed2
- Mixed1
Reviewers score the pacing 38/100 in their films, across 9 reviewed titles; fans 45, detractors 23. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Mace work with?
People who share at least 2 of William Mace's MovieCove titles, grouped by what they did on them; Charles Brackett shares the most, 4.
Directors
- Henry KingShared titles: The Bravados (1958), The Sun Also Rises (1957)See all 2 shared titles with Henry King
Writers
- Walter ReischShared titles: The Remarkable Mr. Pennypacker (1958), Teenage Rebel (1956), The Girl in the Red Velvet Swing (1955)See all 3 shared titles with Walter Reisch
- Charles BrackettShared titles: The Remarkable Mr. Pennypacker (1958), D-Day the Sixth of June (1956), Teenage Rebel (1956), The Girl in the Red Velvet Swing (1955)See all 4 shared titles with Charles Brackett
- Ivan MoffatShared titles: Boy on a Dolphin (1957), D-Day the Sixth of June (1956)See all 2 shared titles with Ivan Moffat
Actors
- Clifton WebbShared titles: The Remarkable Mr. Pennypacker (1958), Boy on a Dolphin (1957)See all 2 shared titles with Clifton Webb
- Joan CollinsShared titles: The Bravados (1958), The Girl in the Red Velvet Swing (1955)See all 2 shared titles with Joan Collins
Composers and cinematographers
- Hugo FriedhoferShared titles: The Bravados (1958), Boy on a Dolphin (1957), The Sun Also Rises (1957)See all 3 shared titles with Hugo Friedhofer
- Leigh HarlineShared titles: The Remarkable Mr. Pennypacker (1958), Teenage Rebel (1956), The Girl in the Red Velvet Swing (1955)See all 3 shared titles with Leigh Harline
- Alfred NewmanShared titles: The Diary of Anne Frank (1959), The Bravados (1958)See all 2 shared titles with Alfred Newman
- Milton R. KrasnerShared titles: The Remarkable Mr. Pennypacker (1958), Boy on a Dolphin (1957)See all 2 shared titles with Milton R. Krasner
