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Matías Mosteirín

Matías Mosteirín

Producer · Born August 17, 1974 (52) · Argentina

Matías Mosteirín was born on 17 August 1974 in Argentina. He is a producer and production manager, known for Wild Tales (2014), The Eternaut (2025) and On the Road (2012).

Biography from IMDb.

Born
August 17, 1974 (52)
From
Argentina
Works as
Producer
Titles
25 on Motif · 30 credits in all
TMDB popularity, last 157 days to Oct 28

What are Matías Mosteirín's films like?

Across their 20 Motif titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 6 · Dark 12

Grounded 16 · Stylized 2 · Heightened 1

A split, not a type: Gentle 2 · Charged 8 · Intense 9

Steady 8 · Shifting 8 · Whiplash 3

Straight-faced 15 · Some laughs 4 · Funny 0

Slow burn 8 · Even-paced 9 · Relentless 2

Casual 3 · Engaged 12 · Full focus 4

Easy watch 1 · Affecting 5 · Heavy 13

Resolved 9 · Open-ended 9 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
10
Contemplative
7
Dread
4
Warm
3
Other
11

How their films end · 1 with a twist

  • Happy1
  • Bittersweet9
  • Tragic1
  • Ambiguous9

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matías Mosteirín's films?

As of October 24, 2026, 19 of their 25 Motif titles stream on a subscription or free service, most on Netflix (6).

Subscription and free streaming for Matías Mosteirín's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 25 with a Motif page.

  • The Marked Woman(2026)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • Flies(2026)

    Producer

    Midcredits score: 91st percentile of all films
  • Belén(2025)

    Producer

    Midcredits score: 85th percentile of all films
  • The Eternaut(2025)

    Show 6 episodes · Producer

    Midcredits score: 69th percentile of all shows
  • A Time for Bravery(2025)

    Producer

    Midcredits score: 58th percentile of all films
  • Upon Open Sky(2023)

    Producer

    Midcredits score: 53rd percentile of all films
  • Community Squad(2023)

    Show 8 episodes · Producer

    Midcredits score: 79th percentile of all shows
  • El Pepe: A Supreme Life(2018)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Heroic Losers(2019)

    Producer

    Midcredits score: 91st percentile of all films
  • While at War(2019)

    Producer

    Midcredits score: 79th percentile of all films
  • The Accused(2018)

    Producer

    Midcredits score: 46th percentile of all films
  • El Angel(2018)

    Producer

    Midcredits score: 80th percentile of all films
  • Operation Finale(2018)

    Producer

    Midcredits score: 67th percentile of all films
  • The Summit(2017)

    Producer

    Midcredits score: 38th percentile of all films
  • To Steal from a Thief(2016)

    Producer

    Midcredits score: 49th percentile of all films
  • Truman(2015)

    Co-Producer · Executive Producer

    Midcredits score: 90th percentile of all films
  • The Clan(2015)

    Producer

    Midcredits score: 81st percentile of all films
  • Wild Tales(2014)

    Producer

    Midcredits score: 99th percentile of all films
  • The 7th Floor(2013)

    Producer

    Midcredits score: 32nd percentile of all films
  • Gone Fishing (not in the Motif catalog yet)(2012)

    Executive Producer

  • An Open Heart(2012)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • On the Road(2012)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • The Last Elvis(2012)

    Co-Producer

    Midcredits score: 78th percentile of all films
  • The Holy Girl(2004)

    Production Director

    Midcredits score: 75th percentile of all films
  • A Red Bear (not in the Motif catalog yet)(2002)

    Associate Producer

  • Bolivia(1999)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • The Swamp(2001)

    Executive Producer's Assistant

    Midcredits score: 83rd percentile of all films
  • Crane World (not in the Motif catalog yet)(1999)

    Production Assistant

  • El Sobrino (not in the Motif catalog yet)

    Producer

  • The Future Is Ours (not in the Motif catalog yet)

    Show 1 episode · Executive Producer

Career shape

A full career of 25 titles, 23 of them dated from 1999 to 2026.

By role

only this rolewith another role
Producing23 of 25: 23 only producing, 0 with another role · typical Midcredits score79thOther crew2 of 25: 2 only other crew, 0 with another role

By decade

1990s1 · crew2000s4 · crew2010s13 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Matías Mosteirín's films land?

Their typical Motif film has a Midcredits score in the 78th percentile, the median of all 23; across their 19 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 19

Approval · how many liked their films

77thpercentile
Typical film, the median of 19

Reach · how many have seen their films

87thpercentile
Typical film, the median of 19

Midcredits score across 25 titles, by percentile

  • 75th and up14
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

None of their 25 titles divides audiences: 17 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser17
  • Broadly Agreed4
  • Mixed3

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Matías Mosteirín's work okay for kids?

Across up to 8 Motif titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 54 · moderateMedian of all films: 44
Sex & Nudity8 titles17–53 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 61 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 38 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 66 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Matías Mosteirín work with?

People who share at least 2 of Matías Mosteirín's Motif titles, grouped by what they did on them; Hugo Sigman shares the most, 16.

Writers

Actors

Cinematographers and editors

Producers