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Andrés Pepe Estrada

Andrés Pepe Estrada

Editor, also director and writer · Born May 8, 1980 (46) · Madrid, Spain

Andrés Pepe Estrada is a Spanish film editor born in Madrid.

Biography from TMDB.

Born
May 8, 1980 (46)
From
Madrid, Spain
Works as
Editor, also director and writer
Titles
14 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 34% in 30 days

What are Andrés Pepe Estrada's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama4 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Crime movies
Comedy2 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
21%
Self
19%
Bonds
19%
Survival
16%
Society
9%
Ideas
9%
Power
9%
Family bonds2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 2 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 5 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 8 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 3 · Heavy 6

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
7
Contemplative
5
Warm
4
Bittersweet
2
Other
10

How their films linger

Hopeful5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrés Pepe Estrada's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Also on these channels

Subscription and free streaming for Andrés Pepe Estrada's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 14 with a MovieCove page.

  • Crazy Old Lady(2025)

    Editor

    Midcredits score: 21st percentile of all films

  • Heads or Tails?(2025)

    Editor

    Midcredits score: 53rd percentile of all films

  • Belén(2025)

    Editor

    Midcredits score: 85th percentile of all films

  • Before We Forget(2024)

    Director · Editor · Story · Writer

    Midcredits score: 85th percentile of all films

  • Our Part of the World (not in the MovieCove catalog yet)(2025)

    Editor

  • The Summer Hit (not in the MovieCove catalog yet)(2025)

    Editor

  • Upon Open Sky(2023)

    Editor

    Midcredits score: 53rd percentile of all films

  • Blondi(2023)

    Editor

    Midcredits score: 73rd percentile of all films

  • None of That (not in the MovieCove catalog yet)(2023)

    Editor

  • Barrio modelo (not in the MovieCove catalog yet)(2022)

    Editor

  • Argentina, 1985(2022)

    Editor · Second Unit Director

    Midcredits score: 97th percentile of all films

  • 15 Ways to Kill Your Neighbour(2022)

    Editor

    Midcredits score: 44th percentile of all films

  • The Tale of King Crab(2021)

    Editor

    Midcredits score: 75th percentile of all films

  • That Weekend (not in the MovieCove catalog yet)(2021)

    Editor

  • Angélica (not in the MovieCove catalog yet)(2020)

    Editor

  • Blood (not in the MovieCove catalog yet)(2020)

    Editor

  • Murder Me, Monster (not in the MovieCove catalog yet)(2019)

    Editor

  • Alanis(2017)

    Editor

    Midcredits score: 54th percentile of all films

  • Only Child (not in the MovieCove catalog yet)(2016)

    Editor

  • Il solengo(2015)

    Editor

    Midcredits score: 66th percentile of all films

  • Territorios extraordinarios (not in the MovieCove catalog yet)(2016)

    Editor

  • The Fire(2015)

    Editor

    Midcredits score: 56th percentile of all films

  • Rabbit Woman (not in the MovieCove catalog yet)(2013)

    Editor

  • Some Girls (not in the MovieCove catalog yet)(2013)

    Editor

  • Cracks de nácar (not in the MovieCove catalog yet)(2013)

    Editor

  • White Elephant(2012)

    Additional Editor · Visual Effects Coordinator

    Midcredits score: 62nd percentile of all films

  • Tres juntos (not in the MovieCove catalog yet)(2009)

    Editor

  • Leonera(2008)

    Sound Editor

    Midcredits score: 79th percentile of all films

Career shape

A full career of 27 titles from 2008 to 2025.

Biggest box office

White Elephant (2012)

$4.4M worldwide

Highest rated

Argentina, 1985 (2022)

Midcredits 97th

By role

only this rolewith another role
Directing1 of 27: 0 only directing, 1 with another roleWriting1 of 27: 0 only writing, 1 with another roleEditing26 of 27: 23 only editing, 3 with another role · typical Midcredits score64thOther crew3 of 27: 1 only other crew, 2 with another role

27 titles, 3 with more than one role — editing and other crew overlap on 2 of them.

By decade

2000s2 · crew2010s10 · crew2020s15 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrés Pepe Estrada's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 13

Approval · how many liked their films

58thpercentile
Typical film, the median of 13

Reach · how many have seen their films

69thpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

7 of their 14 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed4

Most divisive · director, writer, editor

Before We Forget (2024)

76th percentile spread · 16% rated it 4 or lower

Most loved · editor

Argentina, 1985 (2022)

Midcredits 97th · 87% liked

Reviewers score the pacing 48/100 in their films, across 10 reviewed titles; fans 62, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrés Pepe Estrada work with?

People who share at least 2 of Andrés Pepe Estrada's MovieCove titles, grouped by what they did on them; Santiago Mitre shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers