Edward Muhl
- Producer
- 24 on MovieCove · 27 credits in all
What are Edward Muhl's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 0 · Even-paced 3 · Relentless 0
A split, not a type: Casual 2 · Engaged 0 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edward Muhl's films?
As of October 24, 2026, 3 of their 24 MovieCove titles stream on a subscription or free service, most on Pluto TV (3).
Subscription and free streaming for Edward Muhl's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 24 with a MovieCove page.
The Lost Man (not in the MovieCove catalog yet)(1969)
Gambit(1966)
Midcredits score: 83rd percentile of all films
The Appaloosa(1966)
Midcredits score: 50th percentile of all films
Out of Sight (not in the MovieCove catalog yet)(1966)
A Man Could Get Killed(1966)
Midcredits score: 29th percentile of all films
Moment to Moment (not in the MovieCove catalog yet)(1966)
That Funny Feeling(1965)
Midcredits score: 66th percentile of all films
The Night Walker(1964)
Midcredits score: 54th percentile of all films
Kitten with a Whip(1964)
Midcredits score: 25th percentile of all films
Send Me No Flowers(1964)
Midcredits score: 79th percentile of all films
The Brass Bottle(1964)
Midcredits score: 56th percentile of all films
Charade(1963)
Midcredits score: 98th percentile of all films
For Love or Money(1963)
Midcredits score: 46th percentile of all films
The Thrill of It All(1963)
Midcredits score: 78th percentile of all films
A Gathering of Eagles(1963)
Midcredits score: 50th percentile of all films
Midcredits score: 74th percentile of all films
To Kill a Mockingbird(1962)
Midcredits score: 99th percentile of all films
Freud(1962)
Midcredits score: 79th percentile of all films
If a Man Answers(1962)
Midcredits score: 73rd percentile of all films
That Touch of Mink(1962)
Midcredits score: 67th percentile of all films
Flower Drum Song(1961)
Midcredits score: 73rd percentile of all films
Come September(1961)
Midcredits score: 80th percentile of all films
The Secret Ways(1961)
Midcredits score: 44th percentile of all films
Midnight Lace(1960)
Midcredits score: 73rd percentile of all films
Spartacus(1960)
Midcredits score: 97th percentile of all films
Pillow Talk(1959)
Midcredits score: 90th percentile of all films
This Earth Is Mine(1959)
Midcredits score: 47th percentile of all films
Career shape
A full career of 27 titles from 1959 to 1969.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Edward Muhl's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 24; across a limited sample of 3 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up9
- 50th to 74th10
- 25th to 49th5
Shape of the crowd
16 of their 24 titles are Crowd Pleasers.
- Universally Loved4
- Crowd Pleaser16
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edward Muhl work with?
People who share at least 2 of Edward Muhl's MovieCove titles, grouped by what they did on them; Doris Day shares the most, 2.
Actors
- Doris DayShared titles: Midnight Lace (1960), Pillow Talk (1959)See all 2 shared titles with Doris Day
- Rock HudsonShared titles: Pillow Talk (1959), This Earth Is Mine (1959)See all 2 shared titles with Rock Hudson
Cinematographers
- Russell MettyShared titles: Midnight Lace (1960), This Earth Is Mine (1959)See all 2 shared titles with Russell Metty
Producers
- Martin MelcherShared titles: Midnight Lace (1960), Pillow Talk (1959)See all 2 shared titles with Martin Melcher
- Ross HunterShared titles: Midnight Lace (1960), Pillow Talk (1959)See all 2 shared titles with Ross Hunter
