- Writer and actor
- 3 on MovieCove · 5 credits in all
What are Rudolf Nadler's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rudolf Nadler's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Rudolf Nadler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 3 with a MovieCove page.
Rosie (not in the MovieCove catalog yet)(2013)
Fögi Is a Bastard(1998)
Midcredits score: 70th percentile of all films
The Blue Hour(1992)
Midcredits score: 37th percentile of all films
Schlaflose Nächte(1988)
Midcredits score: 68th percentile of all films (provisional, few ratings)
Day Thieves (not in the MovieCove catalog yet)(1985)
Career shape
A full career of 5 titles from 1985 to 2013.
How do Rudolf Nadler's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Divisive.
- Divisive2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Rudolf Nadler work with?
People who share at least 2 of Rudolf Nadler's MovieCove titles, grouped by what they did on them; Marcel Gisler shares the most, 3.
Directors
- Marcel GislerShared titles: Fögi Is a Bastard (1998), The Blue Hour (1992), Schlaflose Nächte (1988)See all 3 shared titles with Marcel Gisler
Actors
- Andreas HerderShared titles: The Blue Hour (1992), Schlaflose Nächte (1988)See all 2 shared titles with Andreas Herder
- Anton RattingerShared titles: The Blue Hour (1992), Schlaflose Nächte (1988)See all 2 shared titles with Anton Rattinger
- Christoph KrixShared titles: The Blue Hour (1992), Schlaflose Nächte (1988)See all 2 shared titles with Christoph Krix
- Cyrille Rey-CoquaisShared titles: The Blue Hour (1992), Schlaflose Nächte (1988)See all 2 shared titles with Cyrille Rey-Coquais
Editors
- Bettina BöhlerShared titles: Fögi Is a Bastard (1998), The Blue Hour (1992)See all 2 shared titles with Bettina Böhler
Producers
- Joachim von MengershausenShared titles: Fögi Is a Bastard (1998), The Blue Hour (1992), Schlaflose Nächte (1988)See all 3 shared titles with Joachim von Mengershausen
- Martin SchmassmannShared titles: Fögi Is a Bastard (1998), Schlaflose Nächte (1988)See all 2 shared titles with Martin Schmassmann