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What are Martin Schmassmann's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
22%
Self
20%
Society
18%
Ideas
15%
Morality
10%
Power
9%
Survival
7%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 4 · Stylized 1 · Heightened 1

A split, not a type: Gentle 3 · Charged 0 · Intense 3

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 1 · Relentless 1

Casual 1 · Engaged 3 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3

Resolved 2 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Tense
3
Contemplative
2
Bittersweet
2
Thrilling
1
Other
2

How their films end · 2 with a twist

  • Bittersweet2
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Martin Schmassmann's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Martin Schmassmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • An Affair of Love(1999)

    Producer

    Midcredits score: 77th percentile of all films
  • Fögi Is a Bastard(1998)

    Producer

    Midcredits score: 70th percentile of all films
  • The Giraffe(1998)

    Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 86th percentile of all films
  • Hyenas(1992)

    Producer

    Midcredits score: 92nd percentile of all films
  • Schlaflose Nächte(1988)

    Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)

Career shape

Across their 6 MovieCove titles from 1988 to 1999.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score74th

By decade

1980s1 · crew1990s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Martin Schmassmann's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 6

Approval · how many liked their films

82ndpercentile
Typical film, the median of 6

Reach · how many have seen their films

46thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Martin Schmassmann work with?

People who share at least 2 of Martin Schmassmann's MovieCove titles, grouped by what they did on them; Marcel Gisler shares the most, 2.

Directors

Writers

Producers