Miyuki Nanri

What are Miyuki Nanri's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Miyuki Nanri's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• Pluto TV2 titles, browse their movies on this service
  • Gamera 3: Revenge of Iris (1999) · producer · free
  • Gamera 2: Attack of the Legion (1996) · producer · free
• Netflix1 title, browse their movies on this service
  • Neon Genesis Evangelion: The End of Evangelion (1997) · producer
• Prime Video1 title, browse their movies on this service
  • Gamera 2: Attack of the Legion (1996) · producer

Subscription and free streaming for Miyuki Nanri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Ritual(2000)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Gamera 3: Revenge of Iris(1999)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Neon Genesis Evangelion: The End of Evangelion(1997)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Gamera 2: Attack of the Legion(1996)

  Producer

  Midcredits score: 83rd percentile of all films83^rd

Career shape

Across a limited sample of 4 MovieCove titles from 1996 to 2000.

Biggest box office

Neon Genesis Evangelion: The End of Evangelion (1997)

$24M worldwide

Highest rated

Neon Genesis Evangelion: The End of Evangelion (1997)

Midcredits 98^th

How do Miyuki Nanri's films land?

Their typical MovieCove film has a Midcredits score in the 89^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 91^st percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

13

• Universally Loved1
• Crowd Pleaser3

Most loved · producer

Neon Genesis Evangelion: The End of Evangelion (1997)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Miyuki Nanri work with?

People who share at least 2 of Miyuki Nanri's MovieCove titles, grouped by what they did on them; Ayako Fujitani shares the most, 3.