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Gilbert Natot

Editor

Works as
Editor
Titles
9 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 57% in 30 days

What are Gilbert Natot's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

Comedy4 titlesTypical Midcredits score: 47th percentile
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 81st percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
21%
Bonds
19%
Morality
19%
Society
15%
Self
15%
Ideas
10%
Survival
2%
Class2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 5 · Serious 2 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 4 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Absurd
4
Melancholic
3
Tense
2
Contemplative
2
Other
6

How their films linger

Fun5 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Happy6
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gilbert Natot's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Also on these channels

Subscription and free streaming for Gilbert Natot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 9 with a MovieCove page.

  • La situation est grave... mais pas désespérée (not in the MovieCove catalog yet)(1976)

    Editor

  • C'est pas parce qu'on n'a rien à dire qu'il faut fermer sa gueule...(1975)

    Editor

    Midcredits score: 42nd percentile of all films

  • Shadowman (not in the MovieCove catalog yet)(1974)

    Editor

  • The Shadow Line (not in the MovieCove catalog yet)(1973)

    Editor

  • The Demise of Father Mouret (not in the MovieCove catalog yet)(1970)

    Editor

  • The Great Chase (not in the MovieCove catalog yet)(1968)

    Editor

  • The Madman of Lab Four (not in the MovieCove catalog yet)(1967)

    Editor

  • The Looters (not in the MovieCove catalog yet)(1967)

    Editor

  • What's Cooking in Paris(1966)

    Editor

    Midcredits score: 75th percentile of all films

  • Thomas the Impostor (not in the MovieCove catalog yet)(1965)

    Editor

  • Judex(1963)

    Editor

    Midcredits score: 81st percentile of all films

  • L'inconnue de Hong Kong (not in the MovieCove catalog yet)(1963)

    Editor

  • Sweet Skin(1963)

    Editor

    Midcredits score: 50th percentile of all films

  • Therese (not in the MovieCove catalog yet)(1962)

    Editor

  • The Game of Truth (not in the MovieCove catalog yet)(1961)

    Editor

  • Spotlight on a Murderer (not in the MovieCove catalog yet)(1961)

    Editor

  • Le dialogue des Carmélites(1960)

    Editor

    Midcredits score: 81st percentile of all films

  • Eyes Without a Face(1960)

    Editor

    Midcredits score: 95th percentile of all films

  • Signé: Arsène Lupin(1959)

    Editor

    Midcredits score: 51st percentile of all films

  • Double Agents (not in the MovieCove catalog yet)(1959)

    Editor

  • Blonde in a White Car (not in the MovieCove catalog yet)(1959)

    Editor

  • Asphalt (not in the MovieCove catalog yet)(1959)

    Editor

  • A Legitimate Defense (not in the MovieCove catalog yet)(1958)

    Editor

  • Ni vu, ni connu(1958)

    Editor

    Midcredits score: 81st percentile of all films

  • Love in Jamaica (not in the MovieCove catalog yet)(1957)

    Editor

  • À pied, à cheval et en voiture(1957)

    Editor

    Midcredits score: 17th percentile of all films

  • Les Duraton (not in the MovieCove catalog yet)(1956)

    Editor

  • His Father's Portrait (not in the MovieCove catalog yet)(1953)

    Editor

  • The Curious Adventures of Mr. Wonderbird (not in the MovieCove catalog yet)(1953)

    Editor

Career shape

A full career of 27 titles from 1953 to 1976.

Biggest box office

Eyes Without a Face (1960)

$63K worldwide

Highest rated

Eyes Without a Face (1960)

Midcredits 95th

By role

only this rolewith another role
Editing27 of 27: 27 only editing, 0 with another role · typical Midcredits score81st

By decade

1950s10 · crew1960s12 · crew1970s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gilbert Natot's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 9

Approval · how many liked their films

71stpercentile
Typical film, the median of 9

Reach · how many have seen their films

46thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 9 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed3

Most loved · editor

Eyes Without a Face (1960)

Midcredits 95th · 83% liked

Reviewers score the pacing 56/100 in their films, across 6 reviewed titles; fans 62, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gilbert Natot work with?

People who share at least 2 of Gilbert Natot's MovieCove titles, grouped by what they did on them; Jules Borkon shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers