Arys Nissotti
- Producer
- 6 on MovieCove · 16 credits in all
What are Arys Nissotti's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 4 · Serious 2 · Dark 0
Grounded 2 · Stylized 4 · Heightened 0
A split, not a type: Gentle 3 · Charged 1 · Intense 2
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 2
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arys Nissotti's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Arys Nissotti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 6 with a MovieCove page.

Amazons of Rome(1961)
Midcredits score: 6th percentile of all films
Die schöne Lügnerin (not in the MovieCove catalog yet)(1959)

An Angel on Wheels(1959)
Midcredits score: 21st percentile of all films
Holiday for Henrietta(1952)
Midcredits score: 80th percentile of all films
Under the Paris Sky (not in the MovieCove catalog yet)(1951)

The Sinners (not in the MovieCove catalog yet)(1949)

Le Dessous des cartes (not in the MovieCove catalog yet)(1948)

Le bossu(1944)
Midcredits score: 28th percentile of all films (provisional, few ratings)
The Count of Monte Cristo Part 2 - The Retaliation (not in the MovieCove catalog yet)(1943)

The Count of Monte Cristo Part 1 - The Prisoner of Kastell (not in the MovieCove catalog yet)(1943)
Midcredits score: 26th percentile of all films (provisional, few ratings)
The Musicians of the Sky (not in the MovieCove catalog yet)(1940)

Paris - New-York (not in the MovieCove catalog yet)(1940)

The Virgin Bride (not in the MovieCove catalog yet)(1937)

Princesse Tam-Tam(1935)
Midcredits score: 48th percentile of all films
Zouzou (not in the MovieCove catalog yet)(1934)
Career shape
A full career of 14 titles from 1934 to 1961.
How do Arys Nissotti's films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 25th to 49th3
- Below 25th2
Shape of the crowd
None of their 6 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Arys Nissotti work with?
People who share at least 2 of Arys Nissotti's MovieCove titles, grouped by what they did on them; Pierre O'Connell shares the most, 4.
Writers
- Yves MirandeShared titles: Elles étaient douze femmes (1940), Princesse Tam-Tam (1935)See all 2 shared titles with Yves Mirande
Actors
- Paulette DubostShared titles: An Angel on Wheels (1959), Holiday for Henrietta (1952)See all 2 shared titles with Paulette Dubost

Composers and cinematographers
- Roger HubertShared titles: An Angel on Wheels (1959), Holiday for Henrietta (1952)See all 2 shared titles with Roger Hubert
- Georges AuricShared titles: Holiday for Henrietta (1952), Le bossu (1944)See all 2 shared titles with Georges Auric

Producers
- Pierre O'ConnellShared titles: Amazons of Rome (1961), Holiday for Henrietta (1952), Le bossu (1944), Elles étaient douze femmes (1940)See all 4 shared titles with Pierre O'Connell
- Georges LourauShared titles: Holiday for Henrietta (1952), Elles étaient douze femmes (1940)See all 2 shared titles with Georges Lourau

