- Editor and producer
- 8 on MovieCove · 20 credits in all
What are José M. Noriega's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 4 · Serious 0 · Dark 4
Grounded 6 · Stylized 1 · Heightened 1
Gentle 2 · Charged 3 · Intense 3
Steady 5 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 2 · Full focus 1
Easy watch 2 · Affecting 3 · Heavy 3
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet3
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José M. Noriega's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for José M. Noriega's titles on MovieCove; rent and buy are not counted.
Filmography
20 credits, 8 with a MovieCove page.
The Devil's Money (not in the MovieCove catalog yet)(1953)
Ladronzuela(1949)
Midcredits score: 69th percentile of all films (provisional, few ratings)
Mystery in Mexico (not in the MovieCove catalog yet)(1948)
Tarzan and the Mermaids(1948)
Midcredits score: 47th percentile of all films
Hermoso ideal(1948)
Midcredits score: 34th percentile of all films (provisional, few ratings)
Those Who Came Back(1948)
Midcredits score: 42nd percentile of all films (provisional, few ratings)
El ahijado de la muerte (not in the MovieCove catalog yet)(1946)
Cornered (not in the MovieCove catalog yet)(1945)
George White's Scandals(1945)
Midcredits score: 30th percentile of all films
The Enchanted Cottage (not in the MovieCove catalog yet)(1945)
Murder, My Sweet(1944)
Midcredits score: 93rd percentile of all films
The Falcon in Mexico (not in the MovieCove catalog yet)(1944)
Days of Glory(1944)
Midcredits score: 42nd percentile of all films
Behind the Rising Sun(1943)
Midcredits score: 22nd percentile of all films
Hitler's Children (not in the MovieCove catalog yet)(1943)
Diablillos de arrabal (not in the MovieCove catalog yet)(1940)
The Sign of Death (not in the MovieCove catalog yet)(1939)
Águila o sol (not in the MovieCove catalog yet)(1938)
Let's Go with Pancho Villa! (not in the MovieCove catalog yet)(1936)
Chasing Yesterday (not in the MovieCove catalog yet)(1935)
Career shape
A full career of 17 titles from 1935 to 1953.
How do José M. Noriega's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th5
- Below 25th1
Shape of the crowd
4 of their 8 titles are Broadly Agreed.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed4
- Mixed2
Reviewers score the pacing 50/100 in their films, across 5 reviewed titles; fans 58, detractors 39. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does José M. Noriega work with?
People who share at least 2 of José M. Noriega's MovieCove titles, grouped by what they did on them; Alejandro Galindo shares the most, 2.
Directors
- Alejandro GalindoShared titles: Hermoso ideal (1948), Those Who Came Back (1948)See all 2 shared titles with Alejandro Galindo
- Edward DmytrykShared titles: Murder, My Sweet (1944), Behind the Rising Sun (1943)See all 2 shared titles with Edward Dmytryk
Writers
- Salvador NovoShared titles: Hermoso ideal (1948), Those Who Came Back (1948)See all 2 shared titles with Salvador Novo
Actors
- Alejandro CoboShared titles: Hermoso ideal (1948), Those Who Came Back (1948)See all 2 shared titles with Alejandro Cobo
- Rodolfo LandaShared titles: Hermoso ideal (1948), Those Who Came Back (1948)See all 2 shared titles with Rodolfo Landa
- Donald DouglasShared titles: Murder, My Sweet (1944), Behind the Rising Sun (1943)See all 2 shared titles with Donald Douglas
Composers, cinematographers and editors
- Jorge BustosShared titles: Ladronzuela (1949), Hermoso ideal (1948)See all 2 shared titles with Jorge Bustos
- José Ortiz RamosShared titles: Ladronzuela (1949), Hermoso ideal (1948)See all 2 shared titles with José Ortiz Ramos
- Raúl LavistaShared titles: Hermoso ideal (1948), Those Who Came Back (1948)See all 2 shared titles with Raúl Lavista
- Roy WebbShared titles: Murder, My Sweet (1944), Behind the Rising Sun (1943)See all 2 shared titles with Roy Webb
