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José Padilha

José Padilha

Director, producer and writer, also editor · Born August 1, 1967 (59) · Rio de Janeiro, Rio de Janeiro, Brazil

José Padilha is an award-winning Brazilian director of the Brazilian films Bus 174,Tropa de Elite - which earned him a Golden Bear award at the 2008 Berlin International Film Festival - and Tropa de Elite 2. The films form part of a trilogy, looking at the influence of media, police and, finally, polticians. His film Secrets of the Tribe premiered at the 2010 Sundance Film Festival to critical acclaim.  This documentary explores the allegations, first brought to light in the book Darkness in El Dorado, that anthropologists studying the Yanomami Indians in the 1960s and 70s engaged in bizarre and inappropriate interactions with the tribe, including sexual and medical violations.

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Biography from TMDB.

Born
August 1, 1967 (59)
From
Rio de Janeiro, Rio de Janeiro, Brazil
Works as
Director, producer and writer, also editor
Titles
10 on MovieCove · 19 credits in all
TMDB popularity, last 37 days to Oct 26Down 49% in 30 days

What are José Padilha's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 2 · Dark 4

Grounded 2 · Stylized 5 · Heightened 0

A split, not a type: Gentle 2 · Charged 0 · Intense 5

Steady 2 · Shifting 5 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 4 · Relentless 1

Casual 1 · Engaged 4 · Full focus 2

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
3
Contemplative
3
Joyful
2
Melancholic
2
Other
6

How their films end

  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch José Padilha's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for José Padilha's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • It's a Match (not in the MovieCove catalog yet)(2019)

    Producer · Writer

  • Narcos: Mexico(2018)

    Show 30 episodes · Executive Producer

    Midcredits score: 96th percentile of all shows
  • The Mechanism(2018)

    Show 2 episodes · Director · Creator · Screenplay

    Midcredits score: 85th percentile of all shows
  • 7 Days in Entebbe(2018)

    Director

    Midcredits score: 35th percentile of all films
  • Curumim (not in the MovieCove catalog yet)(2016)

    Producer

  • Narcos(2015)

    Show 10 episodes · Director · Producer

    Midcredits score: 99th percentile of all shows
  • Rio, I Love You(2014)

    Director

    Midcredits score: 15th percentile of all films
  • RoboCop(2014)

    Director

    Midcredits score: 39th percentile of all films
  • Artificial Paradises(2012)

    Producer

    Midcredits score: 56th percentile of all films
  • Elite Squad 2: The Enemy Within(2010)

    Director · Producer · Screenplay · Story

    Midcredits score: 99th percentile of all films
  • Secrets of the Tribe(2010)

    Director · Editor

    Midcredits score: 85th percentile of all films
  • Garapa (not in the MovieCove catalog yet)(2009)

    Director · Producer · Writer

  • Elite Squad(2007)

    Director · Producer · Screenplay

    Midcredits score: 98th percentile of all films
  • Estamira Para Todos E Para Ninguém (not in the MovieCove catalog yet)(2007)

    Producer

  • Cinemas de Rua de Curitiba (not in the MovieCove catalog yet)(2006)

    Director

  • Estamira (not in the MovieCove catalog yet)(2004)

    Producer

  • Bus 174 (not in the MovieCove catalog yet)(2002)

    Director · Producer · Screenplay

  • The Charcoal People (not in the MovieCove catalog yet)(2000)

    Producer · Writer

  • Dead or Alive (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 19 titles, 18 of them dated from 2000 to 2019.

By role

only this rolewith another role
Directing12 of 19: 5 only directing, 7 with another role · typical Midcredits score85thWriting7 of 19: 0 only writing, 7 with another roleProducing12 of 19: 5 only producing, 7 with another role · typical Midcredits score98thEditing1 of 19: 0 only editing, 1 with another roleOther crew1 of 19: 0 only other crew, 1 with another role

19 titles, 9 with more than one role — directing and producing overlap on 5 of them.

By decade

2000s7 · crew2010s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do José Padilha's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 7

Approval · how many liked their films

61stpercentile
Typical film, the median of 7

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up6
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

4 of their 10 titles are Universally Loved.

  • Universally Loved4
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed3

Reviewers score the atmosphere 63/100 and the pacing 46/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is José Padilha's work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity5 titles14–51 · median 26 · mildnear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 69 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 40 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 65 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does José Padilha work with?

People who share at least 2 of José Padilha's MovieCove titles, grouped by what they did on them; Lula Carvalho shares the most, 6.

Writers

Actors

Composers, cinematographers and editors

Producers