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Pedro Bromfman

Pedro Bromfman

Composer, also producer and actor · Born October 20, 1976 (50) · Rio de Janeiro, Rio de Janeiro, Brazil

Pedro Bromfman brings his unique arsenal - a background in jazz, the music of his native Brazil, and cutting-edge electronics - to stunning effect on the screen. For three seasons, he defined the musical character of Netflix's Narcos, a gritty, propulsive heartbeat for the infamous drug lord Pablo Escobar, also performing the majority of the music himself. He worked on that with regular collaborator José Padilha, who also directed the hit reboot of RoboCop, for which Bromfman provided a dynamic, action packed score. His music has accompanied a prolific stream of stories in both home theaters and multiplexes, with the recent release of the Electronic Arts video game Need For Speed: Heat, as well as Latin-American rom-coms and blockbusters like the Tropa de Elite (Elite Squad) film series, to National Geographic docuseries, Chain Of Command, to the crime thriller Thumper and The Story of Us with Morgan Freeman. Bromfman's childhood was animated with music, growing up in the lively Rio de Janeiro. His mother loved to sing, and his father unwittingly planted the seed of scoring films when he took 13-year-old Pedro to see Cinema Paradiso. Bromfman mastered the guitar and several other instruments-along with jazz, Brazilian music, and classical music-and studied composition at the Berklee College of Music. He quickly went from an arranger and player on scoring sessions to the composer running them. "I've always been a very eclectic musician," says Bromfman, "and that also feeds my desire to reinvent myself and to try and create unique music every time I approach a new job."

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Biography from IMDb.

Born
October 20, 1976 (50)
From
Rio de Janeiro, Rio de Janeiro, Brazil
Works as
Composer, also producer and actor
Titles
16 on MovieCove · 20 credits in all
TMDB popularity, last 37 days to Oct 26Down 29% in 30 days

What are Pedro Bromfman's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 3 · Dark 7

Grounded 10 · Stylized 2 · Heightened 0

A split, not a type: Gentle 2 · Charged 4 · Intense 6

Steady 5 · Shifting 7 · Whiplash 0

Straight-faced 11 · Some laughs 0 · Funny 1

A split, not a type: Slow burn 6 · Even-paced 5 · Relentless 1

Casual 2 · Engaged 8 · Full focus 2

Resolved 6 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Contemplative
6
Dread
6
Melancholic
5
Hopeful
3
Other
8

How their films end

  • Happy1
  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pedro Bromfman's films?

As of October 24, 2026, 12 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Pedro Bromfman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 16 with a MovieCove page.

  • Midcredits score: 75th percentile of all films
  • Midcredits score: 36th percentile of all films
  • The Blackout(2019)

    Composer · Executive Producer

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • The Panama Papers(2018)

    Composer

    Midcredits score: 81st percentile of all films
  • Chain of Command(2018)

    Show Composer

    Midcredits score: 55th percentile of all shows
  • Thumper(2017)

    Composer

    Midcredits score: 40th percentile of all films
  • Midcredits score: 65th percentile of all shows
  • Relatively Free (not in the MovieCove catalog yet)(2016)

    Composer

  • Em Nome da Lei (not in the MovieCove catalog yet)(2016)

    Composer · Music Director

  • Narcos(2015)

    Show 30 episodes · Composer

    Midcredits score: 99th percentile of all shows
  • Deep Web(2015)

    Composer

    Midcredits score: 79th percentile of all films
  • Rio, I Love You(2014)

    Composer

    Midcredits score: 15th percentile of all films
  • RoboCop(2014)

    Composer

    Midcredits score: 39th percentile of all films
  • Blue Lips(2014)

    Composer · as Pedro

    Midcredits score: 60th percentile of all films
  • G-Dog(2012)

    Composer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 40th percentile of all films
  • Midcredits score: 99th percentile of all films
  • March of The Living (not in the MovieCove catalog yet)(2010)

    Composer

  • Riding High (not in the MovieCove catalog yet)(2008)

    Composer

  • Elite Squad(2007)

    Composer

    Midcredits score: 98th percentile of all films

Career shape

A full career of 15 titles from 2007 to 2024.

By role

only this rolewith another role
Producing1 of 15: 1 only producing, 0 with another roleMusic14 of 15: 13 only music, 1 with another role · typical Midcredits score60thOther crew1 of 15: 0 only other crew, 1 with another role

By decade

2000s2 · crew2010s12 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Pedro Bromfman's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 12

Approval · how many liked their films

63rdpercentile
Typical film, the median of 12

Reach · how many have seen their films

76thpercentile
Typical film, the median of 12

Midcredits score across 16 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th2

Reviewers score the sound and music 53/100 in their films, across 8 reviewed titles; fans 59, detractors 41. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pedro Bromfman's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 91 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 25 · mildMedian of all films: 32
Profanity4 titlesmedian 78 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 57 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 72 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Pedro Bromfman work with?

People who share at least 2 of Pedro Bromfman's MovieCove titles, grouped by what they did on them; Daniela De Carlo shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors

Producers