Marthe Poncin

What are Marthe Poncin's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marthe Poncin's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.

• The Criterion Channel1 title, browse their movies on this service
  • Holiday for Henrietta (1952) · editor
• Tubi1 title, browse their movies on this service
  • Behold the Man (1935) · editor · free

Subscription and free streaming for Marthe Poncin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Marie-Octobre(1959)

  Editor

  Midcredits score: 93rd percentile of all films93^rd
• 

  The Man in the Raincoat(1957)

  Editor

  Midcredits score: 56th percentile of all films56^th
• 

  Deadlier Than the Male(1956)

  Editor

  Midcredits score: 93rd percentile of all films93^rd
• 

  The Return of Don Camillo(1953)

  Editor

  Midcredits score: 89th percentile of all films89^th
• 

  Holiday for Henrietta(1952)

  Editor

  Midcredits score: 80th percentile of all films80^th
• 

  Behold the Man(1935)

  Editor

  Midcredits score: 65th percentile of all films65^th
• 

  Le rêve(1931)

  Editor

  Midcredits score: 38th percentile of all films (provisional, few ratings)~38^th

Career shape

Across their 7 MovieCove titles from 1931 to 1959.

Biggest box office

The Return of Don Camillo (1953)

$128K worldwide

Highest rated

Deadlier Than the Male (1956)

Midcredits 93^rd

Most popular right now

Marie-Octobre (1959)

How do Marthe Poncin's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 81^st percentile for acclaim.

Shape of the crowd

5 of their 7 titles are Crowd Pleasers.

151

• Universally Loved1
• Crowd Pleaser5
• Mixed1

Most divisive · editor

Le rêve (1931)

89^th percentile spread · 46% rated it 4 or lower

Most loved · editor

Deadlier Than the Male (1956)

Midcredits 93^rd · 82% liked

Reviewers score the pacing 53/100 in their films, across 4 reviewed titles; fans 66, detractors 38. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marthe Poncin work with?

People who share at least 2 of Marthe Poncin's MovieCove titles, grouped by what they did on them; Julien Duvivier shares the most, 6.