René Barjavel

What are René Barjavel's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch René Barjavel's films?

As of October 27, 2026, none of René Barjavel's 11 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for René Barjavel's titles on MovieCove; rent and buy are not counted.

Filmography

11 credits, 11 with a MovieCove page.

• 

  Come imparai ad amare le donne(1966)

  Writer

  Midcredits score: 16th percentile of all films16^th
• 

  Il compagno Don Camillo(1965)

  Writer

  Midcredits score: 80th percentile of all films80^th
• 

  The Devil and the Ten Commandments(1962)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  Don Camillo monsignore... ma non troppo(1961)

  Writer

  Midcredits score: 81st percentile of all films81^st
• 

  Boulevard(1960)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  An Angel on Wheels(1959)

  Writer

  Midcredits score: 21st percentile of all films21^st
• 

  Les Misérables(1958)

  Writer

  Midcredits score: 89th percentile of all films89^th
• 

  The Man in the Raincoat(1957)

  Writer

  Midcredits score: 56th percentile of all films56^th
• 

  The Sheep Has Five Legs(1954)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  The Return of Don Camillo(1953)

  Writer

  Midcredits score: 89th percentile of all films89^th
• 

  The Little World of Don Camillo(1952)

  Writer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across their 11 MovieCove titles from 1952 to 1966.

Biggest box office

Les Misérables (1958)

$2.4M worldwide

Highest rated

The Little World of Don Camillo (1952)

Midcredits 94^th

How do René Barjavel's films land?

Their typical MovieCove film has a Midcredits score in the 64^th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 63^rd percentile for acclaim.

Shape of the crowd

8 of their 11 titles are Crowd Pleasers.

82

• Universally Loved1
• Crowd Pleaser8
• Mixed2

Most divisive · writer

Come imparai ad amare le donne (1966)

51^st percentile spread · 31% rated it 4 or lower

Most loved · writer

The Little World of Don Camillo (1952)

Midcredits 94^th · 83% liked

Reviewers score the dialogue 65/100 and the plot and story 49/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does René Barjavel work with?

People who share at least 2 of René Barjavel's MovieCove titles, grouped by what they did on them; Fernandel shares the most, 7.