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Georgina Pope

Producer

Works as
Producer
Titles
20 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 1% in 30 days

What are Georgina Pope's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Drama movies
Action6 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Action movies
Crime2 titlesTypical Midcredits score: 58th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
33%
Bonds
25%
Morality
15%
Survival
13%
Society
6%
Power
5%
Ideas
3%
Family bonds6 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeGrief4 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeObsession2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 3 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 7 · Stylized 5 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 0 · Charged 7 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 8 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 11 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 5

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 11 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 3 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 5 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Dread
5
Thrilling
3
Bittersweet
5
Other
17

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet9
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georgina Pope's films?

As of October 24, 2026, 14 of their 20 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Also on these channels

Subscription and free streaming for Georgina Pope's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 20 with a MovieCove page.

  • Marty Supreme(2025)

    Producer

    Midcredits score: 93rd percentile of all films

  • Our Journey with Lobular Breast Cancer (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • Sunny(2024)

    Show 10 episodes · Producer

    Midcredits score: 39th percentile of all shows

  • A Sacrifice(2024)

    Producer

    Midcredits score: 21st percentile of all films

  • Touch(2024)

    Associate Producer

    Midcredits score: 92nd percentile of all films

  • Sonic the Hedgehog 3(2024)

    Producer

    Midcredits score: 85th percentile of all films

  • Gran Turismo(2023)

    Producer

    Midcredits score: 86th percentile of all films

  • Bullet Train(2022)

    Producer

    Midcredits score: 89th percentile of all films

  • Kate(2021)

    Co-Producer

    Midcredits score: 53rd percentile of all films

  • Earthquake Bird(2019)

    Producer

    Midcredits score: 41st percentile of all films

  • Giri/Haji(2019)

    Show 8 episodes · Co-Producer

    Midcredits score: 83rd percentile of all shows

  • The Forest(2016)

    Line Producer

    Midcredits score: 7th percentile of all films

  • Equals(2015)

    Casting

    Midcredits score: 44th percentile of all films

  • Man in Phone (not in the MovieCove catalog yet)(2015)

    Producer

  • Mr. Holmes(2015)

    Producer

    Midcredits score: 75th percentile of all films

  • Kumiko, The Treasure Hunter(2014)

    Line Producer

    Midcredits score: 69th percentile of all films

  • Paper Planes(2014)

    Producer

    Midcredits score: 49th percentile of all films

  • Lost Samurai (not in the MovieCove catalog yet)(2011)

    Producer

  • Enter the Void(2009)

    Line Producer

    Midcredits score: 87th percentile of all films

  • Map of the Sounds of Tokyo(2009)

    Producer

    Midcredits score: 42nd percentile of all films

  • Jumper(2008)

    Producer

    Midcredits score: 42nd percentile of all films

  • Cherry Blossoms(2008)

    Producer

    Midcredits score: 94th percentile of all films

  • Heaven's Burning(1997)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • Nue (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 18 titles, 17 of them dated from 1997 to 2025.

Biggest box office

Sonic the Hedgehog 3 (2024)

$492M worldwide

Highest rated

Cherry Blossoms (2008)

Midcredits 94th

Most popular right now

Sonic the Hedgehog 3 (2024)

By role

only this rolewith another role
Producing17 of 18: 17 only producing, 0 with another role · typical Midcredits score49thOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s1 · crew2010s9 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Georgina Pope's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 18; across their 16 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 16

Approval · how many liked their films

58thpercentile
Typical film, the median of 16

Reach · how many have seen their films

90thpercentile
Typical film, the median of 16

Midcredits score across 20 titles, by percentile

  • 75th and up9
  • 50th to 74th2
  • 25th to 49th7
  • Below 25th2

Shape of the crowd

None of their 20 titles divides audiences: 12 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser12
  • Broadly Agreed3
  • Mixed4

Most loved · producer

Cherry Blossoms (2008)

Midcredits 94th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Georgina Pope's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles23–92 · median 57 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles11–56 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity9 titles21–90 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles18–55 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles30–88 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Georgina Pope work with?

People who share at least 2 of Georgina Pope's MovieCove titles, grouped by what they did on them; Kenji Isomura shares the most, 3.

Actors

Editors

Producers

Mixed roles