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Elísabet Ronaldsdóttir

Elísabet Ronaldsdóttir

Editor and producer · Born July 6, 1965 (61) · Iceland

Elísabet Ronaldsdóttir (born 6 July 1965) is an editor. Born in Reykjavík, Iceland, she studied at the London Film School (in Covent Garden), initially concentrating on cinematography, and graduated in 1990. Her career in film editing began by accident. After working briefly at a production company in Iceland, producing commercials and television content, she moved into editing because the schedule was better suited to raising her children. From then on, she built a long and varied career, editing a broad range of works: TV news, documentaries, reality TV, children's programming, short films, television dramas, and full-length features. She has collaborated frequently with directors such as David Leitch — on films including John Wick (2014), Atomic Blonde (2015), Deadpool 2 (2018), and Bullet Train (2022) — and with Baltasar Kormákur — notably on the Icelandic film Reykjavík‑Rotterdam (2008), which helped her transition into international filmmaking. Her editing on Reykjavík‑Rotterdam earned her recognition: the film won the national film award Edda Award for Best Editing ("Klipping ársins") in 2008. In her subsequent career, she has earned further acclaim both in Iceland and internationally. She is a founding member and served as the first chairwoman for two terms of Women in Film & Television Iceland (WIFT Iceland). She has also served on the board of the Icelandic Producers' Guild and, in 2005–2006, chaired the Icelandic Film & TV Academy. Since 2007, she has been on the board of the Reykjavík International Film Festival (RIFF). In her own words, she sees editing not just as technical assembly, but as "an interpretation of the script" and a collaborative craft that respects the contributions of everyone — actors, cinematographers, costume‑makers, stunt crews — to bring a story to life.

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Biography from TMDB.

Born
July 6, 1965 (61)
From
Iceland
Works as
Editor and producer
Titles
18 on MovieCove · 50 credits in all
TMDB popularity, last 156 days to Oct 27Up 16% in 30 days

What are Elísabet Ronaldsdóttir's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 3 · Dark 6

A split, not a type: Grounded 7 · Stylized 2 · Heightened 6

Gentle 2 · Charged 4 · Intense 9

Steady 5 · Shifting 7 · Whiplash 3

A split, not a type: Straight-faced 7 · Some laughs 2 · Funny 6

A split, not a type: Slow burn 3 · Even-paced 5 · Relentless 7

Casual 3 · Engaged 11 · Full focus 1

A split, not a type: Easy watch 6 · Affecting 4 · Heavy 5

Resolved 10 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Thrilling
7
Melancholic
6
Absurd
5
Dread
4
Other
13

How their films end · 3 with a twist

  • Happy4
  • Bittersweet5
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elísabet Ronaldsdóttir's films?

As of October 24, 2026, 12 of their 18 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Subscription and free streaming for Elísabet Ronaldsdóttir's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

50 credits, 18 with a MovieCove page.

  • Jason Statham Stole My Bike (not in the MovieCove catalog yet)(2027)

    Editor

  • How to Rob a Bank (not in the MovieCove catalog yet)(2026)

    Editor

  • Returning to Lulu (not in the MovieCove catalog yet)(2026)

    Editor

  • Nobody 2(2025)

    Co-Producer · Editor

    Midcredits score: 51st percentile of all films
  • Love Hurts(2025)

    Co-Producer · Editor

    Midcredits score: 14th percentile of all films
  • Top 10 Must (not in the MovieCove catalog yet)(2024)

    Editor

  • The Fall Guy(2024)

    Editor

    Midcredits score: 78th percentile of all films
  • Concord (not in the MovieCove catalog yet)(2022)

    Editor

  • Bullet Train(2022)

    Editor

    Midcredits score: 89th percentile of all films
  • Kate(2021)

    Editor

    Midcredits score: 53rd percentile of all films
  • Midcredits score: 89th percentile of all films
  • Between Heaven and Earth (not in the MovieCove catalog yet)(2019)

    Co-Producer · Editor

  • Playing with Fire(2019)

    Editor

    Midcredits score: 28th percentile of all films
  • Mile 22(2018)

    Additional Editing

    Midcredits score: 40th percentile of all films
  • Deadpool 2(2018)

    Editor

    Midcredits score: 94th percentile of all films
  • Vultures (not in the MovieCove catalog yet)(2018)

    Editor

  • The Swan(2017)

    Editor

    Midcredits score: 54th percentile of all films
  • Atomic Blonde(2017)

    Editor

    Midcredits score: 69th percentile of all films
  • A Kind of Murder(2016)

    Editor

    Midcredits score: 16th percentile of all films
  • Johanna: The Last Battle (not in the MovieCove catalog yet)(2015)

    Editor · Screenplay

  • I Want to Be Weird (not in the MovieCove catalog yet)(2015)

    Editor

  • John Wick(2014)

    Editor

    Midcredits score: 95th percentile of all films
  • In Search of Livingstone (not in the MovieCove catalog yet)(2014)

    Editor

  • The Deep(2012)

    Editor

    Midcredits score: 66th percentile of all films
  • Contraband(2012)

    Editor

    Midcredits score: 53rd percentile of all films
  • Midcredits score: 18th percentile of all films
  • Summerland (not in the MovieCove catalog yet)(2010)

    Editor

  • Inhale(2010)

    Editor

    Midcredits score: 59th percentile of all films
  • Boys On Film 4: Protect Me From What I Want (not in the MovieCove catalog yet)(2010)

    Editor

  • December (not in the MovieCove catalog yet)(2009)

    Editor

  • Our Girls (not in the MovieCove catalog yet)(2009)

    Editor

  • Reykjavik-Rotterdam (not in the MovieCove catalog yet)(2008)

    Editor

  • Midcredits score: 66th percentile of all films
  • No Network (not in the MovieCove catalog yet)(2007)

    Editor

  • Monsieur Hyde (not in the MovieCove catalog yet)(2007)

    Editor

  • Thanks (not in the MovieCove catalog yet)(2007)

    Editor

  • Wrestling (not in the MovieCove catalog yet)(2007)

    Editor

  • Jar City (not in the MovieCove catalog yet)(2006)

    Editor

  • Thicker Than Water (not in the MovieCove catalog yet)(2006)

    Editor

  • She Talks Icelandic (not in the MovieCove catalog yet)(2006)

    Editor

  • Simply - A True Story (not in the MovieCove catalog yet)(2006)

    Editor

  • Njalssaga (not in the MovieCove catalog yet)(2003)

    Editor

  • While the Cat's Away (not in the MovieCove catalog yet)(2003)

    Editor

  • The Sea (not in the MovieCove catalog yet)(2002)

    Co-Producer

  • Reykjavik Guesthouse: Rent a Bike (not in the MovieCove catalog yet)(2002)

    Editor

  • Bye Bye Blue Bird (not in the MovieCove catalog yet)(1999)

    Editor

  • Det forbandede fedt (not in the MovieCove catalog yet)(1999)

    Editor

  • The Dance (not in the MovieCove catalog yet)(1998)

    Editor

  • Dissociated Me (not in the MovieCove catalog yet)

    Producer · as Elísabet Ronaldsdóttir

  • Managed (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 49 titles, 46 of them dated from 1998 to 2026.

By role

only this rolewith another role
Acting1 of 49: 0 only acting, 1 with another roleWriting1 of 49: 0 only writing, 1 with another roleProducing6 of 49: 2 only producing, 4 with another roleEditing45 of 49: 41 only editing, 4 with another role · typical Midcredits score63rdOther crew1 of 49: 1 only other crew, 0 with another role

49 titles, 5 with more than one role — editing and producing overlap on 3 of them.

By decade

1990s3 · crew2000s16 · crew2010s17 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Elísabet Ronaldsdóttir's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 18; across their 15 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 15

Approval · how many liked their films

65thpercentile
Typical film, the median of 15

Reach · how many have seen their films

90thpercentile
Typical film, the median of 15

Midcredits score across 18 titles, by percentile

  • 75th and up5
  • 50th to 74th8
  • 25th to 49th2
  • Below 25th3

Reviewers score the pacing 51/100 in their films, across 15 reviewed titles; fans 62, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Elísabet Ronaldsdóttir's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles47–92 · median 86 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles14–70 · median 24 · mildnear the median of all filmsMedian of all films: 32
Profanity10 titles41–90 · median 73 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs9 titles26–64 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles35–66 · median 63 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Elísabet Ronaldsdóttir work with?

People who share at least 2 of Elísabet Ronaldsdóttir's MovieCove titles, grouped by what they did on them; Kelly McCormick shares the most, 7.

Directors

Writers

Actors

Composers and cinematographers

Producers