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Charles A. Pratt

Producer

Works as
Producer
Titles
12 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 2% in 30 days

What are Charles A. Pratt's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 10 · Stylized 1 · Heightened 1

Gentle 0 · Charged 9 · Intense 3

Steady 2 · Shifting 9 · Whiplash 1

Straight-faced 9 · Some laughs 2 · Funny 1

Slow burn 4 · Even-paced 8 · Relentless 0

Casual 3 · Engaged 9 · Full focus 0

Resolved 6 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
3
Melancholic
4
Warm
3
Thrilling
3
Other
9

How their films end · 4 with a twist

  • Happy2
  • Bittersweet5
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles A. Pratt's films?

As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Charles A. Pratt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • Confessions of a Married Man (not in the MovieCove catalog yet)(1983)

    Producer

  • The Great Santini(1979)

    Producer

    Midcredits score: 83rd percentile of all films
  • A Real American Hero(1978)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Mean Dog Blues (not in the MovieCove catalog yet)(1978)

    Producer

  • Midcredits score: 35th percentile of all films
  • Special Delivery(1976)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Part 2: Walking Tall(1975)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Reincarnation of Peter Proud(1975)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • W (not in the MovieCove catalog yet)(1974)

    Executive Producer

  • Arnold(1973)

    Executive Producer

    Midcredits score: 43rd percentile of all films
  • Terror in the Wax Museum(1973)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Walking Tall(1973)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • You'll Like My Mother(1972)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Ben(1972)

    Executive Producer

    Midcredits score: 24th percentile of all films
  • Willard(1971)

    Executive Producer

    Midcredits score: 48th percentile of all films

Career shape

A full career of 15 titles from 1971 to 1983.

By role

only this rolewith another role
Producing15 of 15: 15 only producing, 0 with another role · typical Midcredits score43rd

By decade

1970s14 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Charles A. Pratt's films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 12

Approval · how many liked their films

37thpercentile
Typical film, the median of 12

Reach · how many have seen their films

59thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th2

Shape of the crowd

None of their 12 titles divides audiences: 6 are Mixed.

  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles A. Pratt's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 43 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Charles A. Pratt work with?

People who share at least 2 of Charles A. Pratt's MovieCove titles, grouped by what they did on them; Bing Crosby shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers