
Milo Quesada
Actor · Died December 12, 2012, aged 82 · Buenos Aires, Argentina
Milo Quesada was born on 16 April 1930 in Buenos Aires, Argentina. He was an actor, known for The Aeronauts (1967), The 10th Victim (1965) and Mi último tango (1960). He died on 12 December 2012 in Madrid, Spain.
Biography from IMDb.
- April 16, 1930
- December 12, 2012 (aged 82)
- Buenos Aires, Argentina
- Actor
- 13 on MovieCove · 42 credits in all
What are Milo Quesada's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 6
Light 3 · Serious 4 · Dark 1
A split, not a type: Grounded 2 · Stylized 2 · Heightened 4
Gentle 0 · Charged 6 · Intense 2
Steady 1 · Shifting 7 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 6 · Relentless 1
Casual 2 · Engaged 6 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 2 · Heavy 2
A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 1
Roles they play
- Shadowas Bill Templer in Django Kill... If You Live, Shoot! (1967)
- Mentoras Tennessee Logan in Professionals for a Massacre (1967)
Moods and endings
- Happy1
- Bittersweet6
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Milo Quesada's films?
As of October 24, 2026, 12 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- The Mercenary (1968) · actor · free
- Black Sabbath (1963) · actor · free
- The Evil Eye (1963) · actor · free
- Django Kill... If You Live, Shoot! (1967) · actor · free
- A Few Bullets More (1967) · actor · free
- Professionals for a Massacre (1967) · actor · free
- Night of the Blood Monster (1970) · actor · free
- Cauldron of Blood (1968) · actor · free
Subscription and free streaming for Milo Quesada's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
42 credits, 13 with a MovieCove page.

El adúltero (not in the MovieCove catalog yet)(1975)

El chulo (not in the MovieCove catalog yet)(1974)

The Dead, The Flesh, and The Devil (not in the MovieCove catalog yet)(1973)

Tragic Ceremony (not in the MovieCove catalog yet)(1972)

El vikingo (not in the MovieCove catalog yet)(1972)

Canticle (not in the MovieCove catalog yet)(1972)

Dust in the Sun (not in the MovieCove catalog yet)(1972)

Hurrah for Adventure! (not in the MovieCove catalog yet)(1970)
Midcredits score: 14th percentile of all films
The Battle of the Last Panzer (not in the MovieCove catalog yet)(1969)

The Mercenary(1968)
Midcredits score: 85th percentile of all films
Appointment in Beirut (not in the MovieCove catalog yet)(1968)

A Devil Under the Pillow (not in the MovieCove catalog yet)(1968)

Cauldron of Blood(1968)
Midcredits score: 6th percentile of all films
House of 1,000 Dolls(1967)
Midcredits score: 15th percentile of all films
Midcredits score: 24th percentile of all films
Midcredits score: 54th percentile of all films
A Few Bullets More(1967)
Midcredits score: 33rd percentile of all films
The Lone One Takes the Offensive (not in the MovieCove catalog yet)(1966)

Savage Pampas (not in the MovieCove catalog yet)(1966)

Django Does Not Forgive (not in the MovieCove catalog yet)(1966)

The 10th Victim(1965)
Midcredits score: 69th percentile of all films
Wild Kurdistan(1965)
Midcredits score: 30th percentile of all films
My Gun is the Law (not in the MovieCove catalog yet)(1965)

Make Your Bets Ladies (not in the MovieCove catalog yet)(1965)

Jandro (not in the MovieCove catalog yet)(1965)

Saul e David(1964)
Midcredits score: 23rd percentile of all films
The Salary of Crime (not in the MovieCove catalog yet)(1964)

El mujeriego (not in the MovieCove catalog yet)(1964)

Black Sabbath(1963)
Midcredits score: 84th percentile of all films
The Evil Eye(1963)
Midcredits score: 77th percentile of all films
The Young Racers(1963)
Midcredits score: 13th percentile of all films
La mentira tiene cabellos rojos (not in the MovieCove catalog yet)(1962)

Desperate Flight (not in the MovieCove catalog yet)(1961)

Mi último tango (not in the MovieCove catalog yet)(1960)

A Glass of Whiskey (not in the MovieCove catalog yet)(1959)

Diego Corrientes (not in the MovieCove catalog yet)(1959)

Red Cross Girls (not in the MovieCove catalog yet)(1958)

Rosaura at 10 O'Clock (not in the MovieCove catalog yet)(1958)

Surcos en el mar (not in the MovieCove catalog yet)(1956)

South of the 42nd parallel (not in the MovieCove catalog yet)(1955)

Crisol de hombres (not in the MovieCove catalog yet)(1954)
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 42 titles from 1954 to 1975; peak year 1964.
Film career
Peak 1964 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1963Screen debut· The Girl Who Knew Too Much
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Milo Quesada's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 13; across their 8 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th2
- Below 25th6
Shape of the crowd
6 of their 13 titles are Mixed.
- Universally Panned1
- Cult Classic1
- Crowd Pleaser5
- Mixed6
Reviewers score the acting 64/100 in their films, across 8 reviewed titles; fans 72, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Milo Quesada's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Milo Quesada work with?
People who share at least 2 of Milo Quesada's MovieCove titles, grouped by what they did on them; Mario Bava shares the most, 2.
Directors
- Mario BavaShared titles: Black Sabbath (1963), The Evil Eye (1963)See all 2 shared titles with Mario Bava

Actors
- Boris KarloffShared titles: Cauldron of Blood (1968), Black Sabbath (1963)See all 2 shared titles with Boris Karloff

- Mark DamonShared titles: Black Sabbath (1963), The Young Racers (1963)See all 2 shared titles with Mark Damon

Composers and editors
- Mario SerandreiShared titles: Black Sabbath (1963), The Evil Eye (1963)See all 2 shared titles with Mario Serandrei
- Roberto NicolosiShared titles: Black Sabbath (1963), The Evil Eye (1963)See all 2 shared titles with Roberto Nicolosi



