Gisa Radicchi Levi

What are Gisa Radicchi Levi's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gisa Radicchi Levi's films?

As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service, on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • The Ugly Ones (1966) · editor · free
  • Spy Today, Die Tomorrow (1967) · editor · free

Subscription and free streaming for Gisa Radicchi Levi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page.

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  Spy Today, Die Tomorrow(1967)

  Editor

  Midcredits score: 6th percentile of all films6^th
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  The Ugly Ones(1966)

  Editor

  Midcredits score: 55th percentile of all films55^th
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  The Twelve-Handed Men of Mars(1964)

  Editor

  Midcredits score: 11th percentile of all films11^th
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  Crazy Desire(1962)

  Editor

  Midcredits score: 70th percentile of all films70^th
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  Sua Eccellenza si fermò a mangiare(1961)

  Editor

  Midcredits score: 73rd percentile of all films73^rd
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  Totò, Fabrizi e i giovani d'oggi(1960)

  Editor

  Midcredits score: 76th percentile of all films76^th
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  Totò, Peppino e le fanatiche(1958)

  Editor

  Midcredits score: 41st percentile of all films41^st
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  Peppino, le modelle e.... 'chella llà'(1957)

  Editor

  Midcredits score: 29th percentile of all films (provisional, few ratings)~29^th
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  The Miller's Beautiful Wife(1955)

  Editor

  Midcredits score: 41st percentile of all films41^st
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  The Seven Deadly Sins(1952)

  Editor

  Midcredits score: 50th percentile of all films50^th
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  Totò e le donne(1952)

  Editor

  Midcredits score: 68th percentile of all films68^th

Career shape

Across their 11 MovieCove titles from 1952 to 1967.

Highest rated

Totò, Fabrizi e i giovani d'oggi (1960)

Midcredits 76^th

How do Gisa Radicchi Levi's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 50^th percentile for acclaim.

Shape of the crowd

6 of their 11 titles are Crowd Pleasers.

622

• Universally Panned1
• Crowd Pleaser6
• Broadly Agreed2
• Mixed2

Most divisive · editor

The Twelve-Handed Men of Mars (1964)

58^th percentile spread · 34% rated it 4 or lower

Most loved · editor

Totò, Fabrizi e i giovani d'oggi (1960)

Midcredits 76^th · 63% liked

Reviewers score the pacing 44/100 in their films, across 4 reviewed titles; fans 55, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gisa Radicchi Levi work with?

People who share at least 2 of Gisa Radicchi Levi's MovieCove titles, grouped by what they did on them; Isidoro Broggi shares the most, 5.