Giuliano Simonetti
- Producer
- 4 on MovieCove
What are Giuliano Simonetti's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 2
Grounded 0 · Stylized 4 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giuliano Simonetti's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (3).
Subscription and free streaming for Giuliano Simonetti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 10th percentile of all films (provisional, few ratings)
No Room to Die(1969)
Midcredits score: 35th percentile of all films
Spy Today, Die Tomorrow(1967)
Midcredits score: 6th percentile of all films
The Ugly Ones(1966)
Midcredits score: 55th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1966 to 1973.
How do Giuliano Simonetti's films land?
Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
1 of their 4 titles is Universally Panned.
- Universally Panned1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giuliano Simonetti work with?
People who share at least 2 of Giuliano Simonetti's MovieCove titles, grouped by what they did on them; Mario Brega shares the most, 3.
Actors
- Mario BregaShared titles: Le mille e una notte... e un'altra ancora! (1973), No Room to Die (1969), The Ugly Ones (1966)See all 3 shared titles with Mario Brega
Editors
- Cesare BianchiniShared titles: Le mille e una notte... e un'altra ancora! (1973), No Room to Die (1969)See all 2 shared titles with Cesare Bianchini
- Gisa Radicchi LeviShared titles: Spy Today, Die Tomorrow (1967), The Ugly Ones (1966)See all 2 shared titles with Gisa Radicchi Levi