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Kim Roberts

Kim Roberts

Writer, editor and director

Primetime Emmy winner · 2 other major award bodies

Kim Roberts, A.C.E. is an Emmy-winning editor of feature documentaries. Her recent work includes The Hunting Ground, American Revolutionary: the Evolution of Grace Lee Boggs, Waiting for 'Superman' (Paramount), Food, Inc. (nominated for a 2010 Oscar), Autism the Musical (HBO) and Inequality for All (Radius). Kim won an Emmy for Autism the Musical (HBO) and Inequality for All (Radius). Kim won an Emmy for Autism the Musical, her third nomination. She was nominated for an Eddie award for Food, Inc. and Waiting for `Superman' from the American Cinema Editors.

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Biography from TMDB.

Works as
Writer, editor and director
Titles
17 on MovieCove · 20 credits in all
TMDB popularity, last 156 days to Oct 27Down 29% in 30 days

What are Kim Roberts' films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Society and Power.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 3 · Dark 8

Grounded 14 · Stylized 0 · Heightened 0

Gentle 2 · Charged 7 · Intense 5

Steady 9 · Shifting 5 · Whiplash 0

Straight-faced 12 · Some laughs 2 · Funny 0

Slow burn 9 · Even-paced 5 · Relentless 0

Casual 3 · Engaged 7 · Full focus 4

Resolved 12 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Contemplative
9
Hopeful
8
Dread
4
Melancholic
4
Other
10

How their films end · 1 with a twist

  • Happy2
  • Bittersweet8
  • Ambiguous6
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kim Roberts' films?

As of October 24, 2026, 10 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Kim Roberts' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 17 with a MovieCove page.

  • Cookie Queens(2026)

    Editor

    Midcredits score: 68th percentile of all films
  • Midcredits score: 31st percentile of all shows
  • Victim/Suspect(2023)

    Editor

    Midcredits score: 76th percentile of all films
  • The Fight(2020)

    Editor

    Midcredits score: 72nd percentile of all films
  • Couples Therapy(2019)

    Show 9 episodes · Director · Editor

    Midcredits score: 93rd percentile of all shows
  • The Confession Killer(2019)

    Show Editor

    Midcredits score: 69th percentile of all shows
  • Unrest(2017)

    Editor · Writer

    Midcredits score: 94th percentile of all films
  • Command and Control(2016)

    Editor · Story

    Midcredits score: 87th percentile of all films
  • The Hunting Ground(2015)

    Editor

    Midcredits score: 91st percentile of all films
  • Merchants of Doubt(2014)

    Editor · Writer

    Midcredits score: 92nd percentile of all films
  • Midcredits score: 93rd percentile of all films
  • Inequality for All(2013)

    Editor

    Midcredits score: 97th percentile of all films
  • Midcredits score: 88th percentile of all films
  • Midcredits score: 88th percentile of all films
  • Food, Inc.(2008)

    Editor · Writer

    Midcredits score: 97th percentile of all films
  • Autism: The Musical (not in the MovieCove catalog yet)(2007)

    Editor

  • Made in L.A.(2007)

    Editor

    Midcredits score: 78th percentile of all films (provisional, few ratings)
  • The Fall of Fujimori (not in the MovieCove catalog yet)(2006)

    Editor · Writer

  • Wilderness Survival for Girls (not in the MovieCove catalog yet)(2004)

    Director · Editor · Producer · Writer

  • Daddy and Papa(2002)

    Editor

    Midcredits score: 76th percentile of all films

Career shape

A full career of 8 titles from 2004 to 2019.

By role

only this rolewith another role
Directing2 of 8: 1 only directing, 1 with another roleWriting6 of 8: 3 only writing, 3 with another roleProducing1 of 8: 0 only producing, 1 with another roleEditing4 of 8: 1 only editing, 3 with another role

8 titles, 3 with more than one role — writing and editing overlap on 3 of them.

By decade

2000s4 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

a Primetime Emmy and 2 other major awards from 6 major nominations, 2003–2017.

WinNomination
  1. 2017
    • Sundance award, won · Documentary Editing
    • Writers Guild Award, won · Best Documentary Screenplay
  2. 2008
    • Primetime Emmy, won · Outstanding Picture Editing for Nonfiction Programming
  3. 2006
    • Primetime Emmy, nominated · Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)
    • +1 other major body · 1 nomination
      • Writers Guild Award, nominated
  4. 2003
    • Primetime Emmy, nominated · Outstanding Picture Editing for Non-Fiction Programming (Single or Multi-Camera)

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Kim Roberts' films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 14

Approval · how many liked their films

88thpercentile
Typical film, the median of 14

Reach · how many have seen their films

67thpercentile
Typical film, the median of 14

Midcredits score across 17 titles, by percentile

  • 75th and up13
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

6 of their 17 titles are Crowd Pleasers.

  • Universally Loved5
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser6
  • Mixed3

Reviewers score the dialogue 66/100 and the plot and story 65/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kim Roberts work with?

People who share at least 2 of Kim Roberts' MovieCove titles, grouped by what they did on them; Robert Kenner shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers