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Motif
Jay Redmond

Jay Redmond

Cinematographer and producer

Works as
Cinematographer and producer
Titles
5 on Motif · 6 credits in all
TMDB popularity, last 157 days to Oct 28Down 8% in 30 days

What are Jay Redmond's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Power and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 4

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 2 · Full focus 2

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
3
Cold
2
Dread
2
Hopeful
1

How their films end · 1 with a twist

  • Bittersweet2
  • Ambiguous2
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jay Redmond's films?

As of October 24, 2026, 4 of their 5 Motif titles stream on a subscription or free service.

Subscription and free streaming for Jay Redmond's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 5 with a Motif page.

  • Food, Inc. 2(2023)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • The Confession Killer(2019)

    Show 5 episodes · Cinematographer

    Midcredits score: 69th percentile of all shows
  • Command and Control(2016)

    Cinematographer

    Midcredits score: 87th percentile of all films
  • Merchants of Doubt(2014)

    Cinematographer

    Midcredits score: 92nd percentile of all films
  • When Strangers Click: Five Stories from the Internet (not in the Motif catalog yet)(2011)

    Cinematographer

  • Food, Inc.(2008)

    Associate Producer

    Midcredits score: 97th percentile of all films

Career shape

A full career of 4 titles from 2008 to 2024.

By role

only this rolewith another role
Producing1 of 4: 1 only producing, 0 with another roleCinematography3 of 4: 3 only cinematography, 0 with another role

By decade

2000s1 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jay Redmond's films land?

Their typical Motif film has a Midcredits score in the 90th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 4

Approval · how many liked their films

90thpercentile
Typical film, the median of 4

Reach · how many have seen their films

70thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th2

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser3

Reviewers score the cinematography 58/100 in their films, across 3 reviewed titles; fans 62, detractors 40. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jay Redmond work with?

People who share at least 2 of Jay Redmond's Motif titles, grouped by what they did on them; Robert Kenner shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers