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Avelino Rodríguez

Avelino Rodríguez

Producer · Born January 23, 1974 (52) · Mexico City, Distrito Federal, Mexico

Born in Mexico City in 1974, he has dedicated most of his life to the audiovisual industry. The first stage of his career was focused on the production of short and full feature films, later in 2004 he founded The Lift, a Mexican company specialized in production services, since then, The Lift's work has been recognized internationally at world renowned events such as Cannes Lions Festival. Over the years The Lift has become a synonym of quality and guarantee of service for the best agencies and production companies all around the world. The Lift has now expanded its reach into entertainment, full service production outfits for high profile international projects and a development studio which focuses on catalogue packaging for both fiction and non-fiction projects. Their most recent partnerships include: Lionsgate, Pantelion, Amazon Studios, Televisa and Pantaya.

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Biography from IMDb.

Born
January 23, 1974 (52)
From
Mexico City, Distrito Federal, Mexico
Works as
Producer
Titles
11 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 64 days to Oct 27Down 43% in 30 days

What are Avelino Rodríguez's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 36th percentile
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
25%
Bonds
18%
Morality
18%
Self
15%
Survival
15%
Ideas
6%
Society
3%
Class4 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 7 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 3 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 9 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
4
Romantic
4
Contemplative
2
Dread
2
Other
7

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Avelino Rodríguez's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Avelino Rodríguez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 11 with a MovieCove page.

  • Almost Paradise(2024)

    Producer

    Midcredits score: 66th percentile of all films

  • Radical(2023)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • La Usurpadora: The Musical(2023)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • An Unknown Enemy(2018)

    Show 8 episodes · Executive Producer

    Midcredits score: 85th percentile of all shows

  • The Wandering Witch (not in the MovieCove catalog yet)(2018)

    Associate Producer

  • La boda de Valentina(2018)

    Producer

    Midcredits score: 23rd percentile of all films

  • Lost Paradise(2016)

    Producer

    Midcredits score: 11th percentile of all films

  • Carrière, 250 Meters (not in the MovieCove catalog yet)(2011)

    Executive Producer

  • La maleta mexicana(2011)

    Producer

    Midcredits score: 91st percentile of all films

  • Pink Punch(2004)

    Executive Producer

    Midcredits score: 18th percentile of all films

  • The Blue Room(2002)

    Producer

    Midcredits score: 53rd percentile of all films

  • Todo el poder(2000)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • Under a Spell (not in the MovieCove catalog yet)(1999)

    Line Producer

  • Midaq Alley(1995)

    Assistant Director

    Midcredits score: 88th percentile of all films

  • Instrucciones para hacer un nudo (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 10 titles, 9 of them dated from 1995 to 2023.

Biggest box office

Radical (2023)

$22M worldwide

Highest rated

Radical (2023)

Midcredits 97th

By role

only this rolewith another role
Producing9 of 10: 9 only producing, 0 with another role · typical Midcredits score70thOther crew1 of 10: 1 only other crew, 0 with another role

By decade

1990s2 · crew2000s2 · crew2010s3 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Avelino Rodríguez's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 9

Approval · how many liked their films

54thpercentile
Typical film, the median of 9

Reach · how many have seen their films

55thpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • Below 25th3

Shape of the crowd

4 of their 11 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic2
  • Crowd Pleaser4
  • Mixed3

Most divisive · producer

La Usurpadora: The Musical (2023)

83rd percentile spread · 23% rated it 4 or lower

Most loved · producer

Radical (2023)

Midcredits 97th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Avelino Rodríguez work with?

People who share at least 2 of Avelino Rodríguez's MovieCove titles, grouped by what they did on them; Marco Polo Constandse shares the most, 4.

Writers

Actors

Composers

Producers