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Marco Polo Constandse

Marco Polo Constandse

Producer and director · Born January 5, 1973 (53) · Mexico City, Distrito Federal, Mexico

Marco Polo Constandse was born on 5 January 1973 in Mexico City, Distrito Federal, Mexico. He is a producer and director, known for Tigers Are Not Afraid (2017), Los inadaptados (2011) and Road to Mars (2017).

Biography from IMDb.

Born
January 5, 1973 (53)
From
Mexico City, Distrito Federal, Mexico
Works as
Producer and director
Titles
22 on MovieCove · 27 credits in all
TMDB popularity, last 156 days to Oct 27Up 19% in 30 days

What are Marco Polo Constandse's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 6 · Dark 9

Grounded 15 · Stylized 4 · Heightened 0

Gentle 3 · Charged 10 · Intense 6

Steady 8 · Shifting 9 · Whiplash 2

Straight-faced 13 · Some laughs 4 · Funny 2

Slow burn 8 · Even-paced 10 · Relentless 1

Casual 7 · Engaged 11 · Full focus 1

Resolved 13 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
7
Contemplative
7
Dread
5
Romantic
4
Other
17

How their films end · 4 with a twist

  • Happy3
  • Bittersweet8
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marco Polo Constandse's films?

As of October 24, 2026, 18 of their 22 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Marco Polo Constandse's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 22 with a MovieCove page.

  • One Man a Week(2026)

    Director · Producer

    Midcredits score: 31st percentile of all films
  • Let Me Be with You(2025)

    Producer

    Midcredits score: 76th percentile of all films
  • Crazy About Her(2025)

    Producer

    Midcredits score: 52nd percentile of all films
  • Mon Amour (not in the MovieCove catalog yet)(2025)

    Producer

  • La Cocina(2024)

    Executive Producer

    Midcredits score: 84th percentile of all films
  • Almost Paradise(2024)

    Producer

    Midcredits score: 66th percentile of all films
  • Heroic(2023)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • Familia Nacional(2023)

    Producer

    Midcredits score: 29th percentile of all films
  • Don't Open the Door(2022)

    Producer

    Midcredits score: 49th percentile of all films
  • Enfermo Amor(2022)

    Director · Producer

    Midcredits score: 66th percentile of all films
  • Dive(2022)

    Producer

    Midcredits score: 83rd percentile of all films
  • Midcredits score: 84th percentile of all films
  • Midcredits score: 60th percentile of all films
  • Beyond The Mountain (not in the MovieCove catalog yet)(2019)

    Producer

  • An Unknown Enemy(2018)

    Show 8 episodes · Executive Producer

    Midcredits score: 85th percentile of all shows
  • La boda de Valentina(2018)

    Director · Producer

    Midcredits score: 23rd percentile of all films
  • Tigers Are Not Afraid(2017)

    Producer

    Midcredits score: 78th percentile of all films
  • Lost Paradise(2016)

    Producer

    Midcredits score: 11th percentile of all films
  • Darker Than Night(2014)

    Producer

    Midcredits score: 11th percentile of all films
  • Midcredits score: 41st percentile of all films
  • After Lucia (not in the MovieCove catalog yet)(2012)

    Producer

  • The Misfits (not in the MovieCove catalog yet)(2011)

    Director · Associate Producer

  • Carrière, 250 Meters (not in the MovieCove catalog yet)(2011)

    Producer

  • La maleta mexicana(2011)

    Producer

    Midcredits score: 91st percentile of all films
  • Sultanes del Sur(2007)

    Producer

    Midcredits score: 52nd percentile of all films
  • The Cave(2005)

    Unit Manager

    Midcredits score: 14th percentile of all films
  • The Matador(2005)

    Second Assistant Director

    Midcredits score: 70th percentile of all films

Career shape

A full career of 19 titles from 2005 to 2026.

By role

only this rolewith another role
Directing5 of 19: 4 only directing, 1 with another roleProducing13 of 19: 12 only producing, 1 with another role · typical Midcredits score76thOther crew2 of 19: 2 only other crew, 0 with another role

By decade

2000s2 · crew2010s10 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marco Polo Constandse's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 21; across their 19 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 19

Approval · how many liked their films

54thpercentile
Typical film, the median of 19

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 19

Midcredits score across 22 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th4

Reviewers score the atmosphere 63/100 and the pacing 46/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marco Polo Constandse's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 66 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Marco Polo Constandse work with?

People who share at least 2 of Marco Polo Constandse's MovieCove titles, grouped by what they did on them; Jose Nacif shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers