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Chris Roland

Producer, writer and director

In 1992 Chris Roland sold everything he owned, slipped on a comfortable pair of shoes, and backpacked around the world, leaving behind his native Los Angeles. Three years and forty countries later, his trek took him to Cape Town where he now makes his home. Chris' career spans thirty-five years in the entertainment industry as a Producer, Director, Writer, Actor, Distributor, and Disc Jockey. Chris has been involved in over eighty productions, including "VHI in Maui" for MTV Networks, the TV sitcom, Help Wanted, which he produced and directed for The Family Channel, and Sportstyles, in association with Fries Entertainment. In 1997, he wrote, directed and produced the virtual reality ride film, Cape Extreme, and produced and directed the Sid Shanti music video for Phantasm Records. In that same year, he co-founded "The Imaginarium" and "South African Film Finance Corporation" with his partner, Izidore Codron. Under this new banner, Chris produced the National Geographic World War I docudrama, Jungle Navy (2001), for Cinenova Productions, and five episodes of science fiction series Lexx (1996) for the Sci-Fi Channel and Salter Street (1999), shot in Namibia, and the TV movie Rent A Baby (2000) for Pro Sieben/Filmpool, the highest rated movie since 1995. In 2002, he produced the feature films The Bone Snatcher (2003), with First Look Media (the first SA/UK/Can tripartite co-production), and Stander (2003), the largest film in South African history at that time with Seven Arts and Grosvenor Park. Chris followed these with the feature film 3 Needles (2005) under the helm of award-winning director Thom Fitzgerald, and the 22 episode TV-series, Charlie Jade (2005), a Canadian/South African co-production between The Imaginarium and Cinegroupe, in association with Chum City, and in 2004 Chris co-exec produced the critically acclaimed Hotel Rwanda in association with A. Kitman Ho, starring Don Cheadle and directed by Terry George, which went on to be nominated for Oscar, BAFTA, and Golden Globe. in 2005 Chris co-produced the Regis Wargnier directed film Man to Man starring Ralph Fiennes and Kristin Scott Thomas. In 2006 The Imaginarium and South African Film Finance Corporation disbanded amicably, and Chris launched ZenHQ Films. Under his new banner, Chris produced the feature film 1968 Tunnel Rats, and wrote, produced, and directed the award-winning reality TV series Our House in 2007/8, and wrote and produced the award-winning film Darfur (Attack on Darfur) in 2009. In 2012 Chris wrote, produced, and directed the reality series Clifton Shores (The Shores), and in 2013 and 2014 produced the films The Forgotten Kingdom, which won best film at 15+ international film festivals, Bordering on Bad Behavior, which he also music supervised creating the soundtrack with composer Simon Malherbe, and Die Windpomp (The Windmill), which swept the South African Silver Screen Awards, including best film, and won film festivals in Europe and the US. In 2014 Chris formed My Movies, a sales and distribution company initially started to distribute ZenHQ Films content and later began acquiring third-party content for distribution in Africa, which it continues to do. After a hiatus in Bali in 2016/17, Chris released his first book in 2018, It's Not Personal - Letting Go and Gaining an Island, available exclusively on Amazon. In 2020 Chris released the Netflix original film Santana, which he wrote, produced, and directed. The film reached the number one spot in 34 countries over six straight days. He regularly consults to the global entertainment industry. During the Covid lock down, Chris scripted nine screenplays and two series, and became a sound journey facilitator after completing courses in 2021 at the Sound Healing Academy. Chris has been first assistant director on five films, most recently in 2018 on How I Got There, shot in Kuwait, and Twisted Blues, shot in Dubai, both in temperatures reaching into the mid 40's centigrade! Chris has produced dozens of commercials and actuality programs including such icons as Ford, Pepsi, Asics, B.F. Goodrich, Gammon, Met Life, and Awareness Network, which he also wrote and directed. Chris has been proactive in training aspiring previously disadvantaged filmmakers and, in 2002, created the Spirit Film Scholarship Fund in association with the National Film and Video Foundation, and awarded three-year film school scholarships to three young filmmakers, in addition to mentoring several youths during productions. in 2014 he secured bursaries to attend film school for 25 previously disadvantaged students.

Read more

Biography from IMDb.

Works as
Producer, writer and director
Titles
8 on MovieCove

What are Chris Roland's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 4

A split, not a type: Grounded 5 · Stylized 3 · Heightened 0

Gentle 0 · Charged 6 · Intense 2

Steady 2 · Shifting 6 · Whiplash 0

Straight-faced 6 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 2

Resolved 4 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
3
Contemplative
4
Thrilling
3
Warm
2
Other
3

How their films end · 1 with a twist

  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Roland's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Chris Roland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Santana(2020)

    Director · Producer · Writer

    Midcredits score: 18th percentile of all films
  • Midcredits score: 26th percentile of all films
  • Die Windpomp(2014)

    Producer

    Midcredits score: 75th percentile of all films
  • First(2012)

    Producer

    Midcredits score: 32nd percentile of all films
  • Attack on Darfur(2009)

    Producer · Writer

    Midcredits score: 46th percentile of all films
  • 1968 Tunnel Rats(2008)

    Producer

    Midcredits score: 17th percentile of all films
  • Man to Man(2005)

    Producer

    Midcredits score: 58th percentile of all films
  • The Bone Snatcher(2003)

    Producer

    Midcredits score: 5th percentile of all films

Career shape

Across their 8 MovieCove titles from 2003 to 2020.

By role

only this rolewith another role
Directing1 of 8: 0 only directing, 1 with another roleWriting2 of 8: 0 only writing, 2 with another roleProducing8 of 8: 6 only producing, 2 with another role · typical Midcredits score29th

By decade

2000s4 · crew2010s3 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Chris Roland's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 8

Approval · how many liked their films

30thpercentile
Typical film, the median of 8

Reach · how many have seen their films

64thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th3

Reviewers score the dialogue 36/100 and the plot and story 39/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chris Roland work with?

People who share at least 2 of Chris Roland's MovieCove titles, grouped by what they did on them; Lee-Ann Cotton shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers