Lee-Ann Cotton
- Producer
- 3 on MovieCove
What are Lee-Ann Cotton's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 1 · Serious 1 · Dark 1
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee-Ann Cotton's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Lee-Ann Cotton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Santana(2020)
Midcredits score: 18th percentile of all films
Midcredits score: 26th percentile of all films
Die Windpomp(2014)
Midcredits score: 75th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2014 to 2020.
How do Lee-Ann Cotton's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 18th percentile for acclaim.
- 75th and up1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 3 titles are Divisive.
- Divisive2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lee-Ann Cotton work with?
People who share at least 2 of Lee-Ann Cotton's MovieCove titles; Chris Roland shares the most, 3.
- Paul SpeirsShared titles: Santana (2020), Bordering on Bad Behavior (2014)See all 2 shared titles with Paul Speirs
- Chris RolandShared titles: Santana (2020), Bordering on Bad Behavior (2014), Die Windpomp (2014)See all 3 shared titles with Chris Roland