Frank P. Rosenberg

What are Frank P. Rosenberg's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank P. Rosenberg's films?

As of October 24, 2026, 4 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • One-Eyed Jacks (1961) · producer · free
  • Family of Strangers (1993) · producer · free
  • The Steagle (1971) · producer · free
• Prime Video2 titles, browse their movies on this service
  • One-Eyed Jacks (1961) · producer · free
  • Family of Strangers (1993) · producer
• Pluto TV1 title, browse their movies on this service
  • One-Eyed Jacks (1961) · producer · free
• The Roku Channel1 title, browse their movies on this service
  • One-Eyed Jacks (1961) · producer · free

Subscription and free streaming for Frank P. Rosenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 13 with a MovieCove page.

• 

  Family of Strangers(1993)

  Co-Executive Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Gray Lady Down(1978)

  Adaptation

  Midcredits score: 53rd percentile of all films53^rd
• 

  The Reincarnation of Peter Proud(1975)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  The Steagle(1971)

  Executive Producer

  Midcredits score: 10th percentile of all films10^th
• 

  Madigan(1968)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Critic's Choice(1963)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  One-Eyed Jacks(1961)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  The Life You Save May Be Your Own (not in the MovieCove catalog yet)(1957)

  Producer
• 

  The Girl He Left Behind(1956)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  Miracle in the Rain(1956)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Illegal(1955)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  King of the Khyber Rifles(1953)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Return of the Texan (not in the MovieCove catalog yet)(1952)

  Producer
• 

  The Secret of Convict Lake(1951)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Where the Sidewalk Ends(1950)

  Adaptation · Associate Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Man-Eater of Kumaon (not in the MovieCove catalog yet)(1948)

  Associate Producer

Career shape

A full career of 16 titles from 1948 to 1993.

Biggest box office

Gray Lady Down (1978)

$5.4M worldwide

Highest rated

Where the Sidewalk Ends (1950)

Midcredits 94^th

How do Frank P. Rosenberg's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

7 of their 13 titles are Crowd Pleasers.

74

• Universally Loved1
• Crowd Pleaser7
• Broadly Agreed1
• Mixed4

Most divisive · producer

Family of Strangers (1993)

59^th percentile spread · 16% rated it 4 or lower

Most loved · writer, producer

Where the Sidewalk Ends (1950)

Midcredits 94^th · 85% liked

Reviewers score the dialogue 53/100 and the plot and story 51/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Frank P. Rosenberg work with?

People who share at least 2 of Frank P. Rosenberg's MovieCove titles, grouped by what they did on them; Ben Hecht shares the most, 3.