Thomas Reilly
- Editor
- 20 on MovieCove · 27 credits in all
What are Thomas Reilly's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 17
Light 4 · Serious 10 · Dark 4
Grounded 8 · Stylized 8 · Heightened 2
Gentle 4 · Charged 10 · Intense 4
Steady 9 · Shifting 8 · Whiplash 1
Straight-faced 12 · Some laughs 4 · Funny 2
Slow burn 6 · Even-paced 12 · Relentless 0
Casual 12 · Engaged 6 · Full focus 0
A split, not a type: Easy watch 8 · Affecting 7 · Heavy 3
Resolved 17 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet10
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Thomas Reilly's films?
As of October 24, 2026, 3 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Thomas Reilly's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 20 with a MovieCove page.
The Green-Eyed Blonde (not in the MovieCove catalog yet)(1957)
Bombers B-52(1957)
Midcredits score: 39th percentile of all films
The Big Land(1957)
Midcredits score: 55th percentile of all films
Toward the Unknown(1956)
Midcredits score: 61st percentile of all films
Miracle in the Rain(1956)
Midcredits score: 81st percentile of all films
Helen of Troy(1956)
Midcredits score: 45th percentile of all films
Illegal(1955)
Midcredits score: 79th percentile of all films
Them!(1954)
Midcredits score: 85th percentile of all films
So Big (not in the MovieCove catalog yet)(1953)
Crime Wave(1953)
Midcredits score: 90th percentile of all films
Midcredits score: 71st percentile of all films
About Face(1952)
Midcredits score: 11th percentile of all films
Bugles in the Afternoon(1952)
Midcredits score: 36th percentile of all films
Cattle Town(1952)
Midcredits score: 14th percentile of all films
On Moonlight Bay(1951)
Midcredits score: 78th percentile of all films
Along the Great Divide(1951)
Midcredits score: 78th percentile of all films
Lightning Strikes Twice(1951)
Midcredits score: 58th percentile of all films
Raton Pass(1951)
Midcredits score: 38th percentile of all films
Three Secrets (not in the MovieCove catalog yet)(1950)
Chain Lightning(1950)
Midcredits score: 41st percentile of all films
Backfire(1950)
Midcredits score: 58th percentile of all films
Night Unto Night (not in the MovieCove catalog yet)(1949)
Homicide (not in the MovieCove catalog yet)(1949)
Embraceable You (not in the MovieCove catalog yet)(1948)
April Showers (not in the MovieCove catalog yet)(1948)
The Verdict(1946)
Midcredits score: 85th percentile of all films
Sergeant York(1941)
Midcredits score: 93rd percentile of all films
Career shape
A full career of 25 titles from 1941 to 1957.
Biggest box office
The Miracle of Our Lady of Fatima (1952)
Highest rated
Crime Wave (1953)
Most popular right now
Them! (1954)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Thomas Reilly's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 20; across their 18 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up8
- 50th to 74th5
- 25th to 49th5
- Below 25th2
Shape of the crowd
12 of their 20 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser12
- Broadly Agreed5
- Mixed2
Reviewers score the pacing 55/100 in their films, across 17 reviewed titles; fans 62, detractors 40. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Thomas Reilly work with?
People who share at least 2 of Thomas Reilly's MovieCove titles, grouped by what they did on them; Max Steiner shares the most, 6.
Directors
- Gordon DouglasShared titles: Bombers B-52 (1957), The Big Land (1957), Them! (1954)See all 3 shared titles with Gordon Douglas
- Raoul WalshShared titles: Helen of Troy (1956), Along the Great Divide (1951)See all 2 shared titles with Raoul Walsh
- Roy Del RuthShared titles: About Face (1952), On Moonlight Bay (1951)See all 2 shared titles with Roy Del Ruth
Writers
- James R. WebbShared titles: Illegal (1955), Raton Pass (1951)See all 2 shared titles with James R. Webb
- Crane WilburShared titles: Crime Wave (1953), The Miracle of Our Lady of Fatima (1952)See all 2 shared titles with Crane Wilbur
- Peter MilneShared titles: About Face (1952), The Verdict (1946)See all 2 shared titles with Peter Milne
- Thomas W. BlackburnShared titles: Cattle Town (1952), Raton Pass (1951)See all 2 shared titles with Thomas W. Blackburn
Actors
- Virginia MayoShared titles: The Big Land (1957), Along the Great Divide (1951), Backfire (1950)See all 3 shared titles with Virginia Mayo
- Jay NovelloShared titles: Crime Wave (1953), Cattle Town (1952), The Miracle of Our Lady of Fatima (1952)See all 3 shared titles with Jay Novello
- Gordon MacRaeShared titles: About Face (1952), On Moonlight Bay (1951), Backfire (1950)See all 3 shared titles with Gordon MacRae
- Edmond O'BrienShared titles: The Big Land (1957), Backfire (1950)See all 2 shared titles with Edmond O'Brien
Composers and cinematographers
- Max SteinerShared titles: Helen of Troy (1956), Illegal (1955), The Miracle of Our Lady of Fatima (1952), Lightning Strikes Twice (1951), On Moonlight Bay (1951), Raton Pass (1951)See all 6 shared titles with Max Steiner
- David ButtolphShared titles: The Big Land (1957), Crime Wave (1953), Along the Great Divide (1951), Chain Lightning (1950)See all 4 shared titles with David Buttolph
- Sidney HickoxShared titles: Them! (1954), Along the Great Divide (1951), Lightning Strikes Twice (1951)See all 3 shared titles with Sidney Hickox
- Ernest HallerShared titles: On Moonlight Bay (1951), Chain Lightning (1950), The Verdict (1946)See all 3 shared titles with Ernest Haller
Producers
- Bryan FoyShared titles: Crime Wave (1953), Cattle Town (1952), The Miracle of Our Lady of Fatima (1952)See all 3 shared titles with Bryan Foy
- William JacobsShared titles: About Face (1952), On Moonlight Bay (1951), The Verdict (1946)See all 3 shared titles with William Jacobs
- Anthony VeillerShared titles: Along the Great Divide (1951), Backfire (1950), Chain Lightning (1950)See all 3 shared titles with Anthony Veiller
- Frank P. RosenbergShared titles: Miracle in the Rain (1956), Illegal (1955)See all 2 shared titles with Frank P. Rosenberg
Mixed roles
- Richard WhorfShared titles: Bombers B-52 (1957), Chain Lightning (1950)See all 2 shared titles with Richard Whorf
