Everett Rosenthal
- Producer
- 4 on MovieCove
What are Everett Rosenthal's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 1
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 3 · Charged 0 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Everett Rosenthal's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Everett Rosenthal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Your Money or Your Wife(1972)
Midcredits score: 32nd percentile of all films (provisional, few ratings)
Mission Mars(1968)
Midcredits score: 5th percentile of all films
The Fat Spy(1966)
Midcredits score: 2nd percentile of all films
Who Killed Teddy Bear(1965)
Midcredits score: 68th percentile of all films
Career shape
A full career of 4 titles from 1965 to 1972.
How do Everett Rosenthal's films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 16th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 4 titles are Mixed.
- Crowd Pleaser1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Everett Rosenthal work with?
People who share at least 2 of Everett Rosenthal's MovieCove titles, grouped by what they did on them; Mort Fallick shares the most, 3.
Directors
- Joseph CatesShared titles: The Fat Spy (1966), Who Killed Teddy Bear (1965)See all 2 shared titles with Joseph Cates
Cinematographers and editors
- Mort FallickShared titles: Your Money or Your Wife (1972), Mission Mars (1968), The Fat Spy (1966)See all 3 shared titles with Mort Fallick
- Joseph C. BrunShared titles: The Fat Spy (1966), Who Killed Teddy Bear (1965)See all 2 shared titles with Joseph C. Brun