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Joseph C. Brun

Cinematographer

Works as
Cinematographer
Titles
14 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 28% in 30 days

What are Joseph C. Brun's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Genres

Drama5 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 52nd percentile
: browse their Adventure movies
Biography2 titlesTypical Midcredits score: 53rd percentile
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 18th percentile
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 80th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
21%
Bonds
18%
Power
17%
Morality
16%
Self
12%
Survival
10%
Ideas
7%
Romantic love3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themePrejudice2 titles, browse their movies with this themeFreedom3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 3 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 4 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 8 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 12 · Some laughs 0 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 8 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 3 · Heavy 6

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Warm
6
Melancholic
4
Dread
3
Contemplative
4
Other
14

How their films linger

Haunting4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet5
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joseph C. Brun's films?

As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Joseph C. Brun's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 14 with a MovieCove page.

  • The 300-Year Weekend (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Explosion (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Slaves(1969)

    Cinematographer

    Midcredits score: 18th percentile of all films

  • Trilogy (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • The Thanksgiving Visitor (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Inside Pop: The Rock Revolution (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • Inside Pop: The Rock Revolution (not in the MovieCove catalog yet)(1967)

    Show 1 episode · Cinematographer

  • The Fat Spy(1966)

    Cinematographer

    Midcredits score: 2nd percentile of all films

  • Who Killed Teddy Bear(1965)

    Cinematographer

    Midcredits score: 68th percentile of all films

  • Flipper(1963)

    Cinematographer

    Midcredits score: 39th percentile of all films

  • Girl of the Night (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Odds Against Tomorrow(1959)

    Cinematographer

    Midcredits score: 91st percentile of all films

  • Middle of the Night(1959)

    Cinematographer

    Midcredits score: 86th percentile of all films

  • The Last Mile(1959)

    Cinematographer

    Midcredits score: 59th percentile of all films

  • Wind Across the Everglades(1958)

    Cinematographer

    Midcredits score: 65th percentile of all films

  • Windjammer: The Voyage of the Christian Radich(1958)

    Cinematographer

    Midcredits score: 87th percentile of all films

  • Edge of the City(1957)

    Cinematographer

    Midcredits score: 86th percentile of all films

  • Naughty Girl(1956)

    Cinematographer

    Midcredits score: 33rd percentile of all films

  • Special Delivery (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • The Joe Louis Story(1953)

    Cinematographer

    Midcredits score: 31st percentile of all films

  • Martin Luther(1953)

    Cinematographer

    Midcredits score: 74th percentile of all films

  • The Roots of Happiness (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Walk East on Beacon (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • The Whistle at Eaton Falls(1951)

    Cinematographer

    Midcredits score: 70th percentile of all films

  • 24 Hours of Progress (not in the MovieCove catalog yet)(1950)

    Cinematographer

  • Visages de femmes (not in the MovieCove catalog yet)(1939)

    Cinematographer

Career shape

A full career of 25 titles from 1939 to 1971.

Biggest box office

Windjammer: The Voyage of the Christian Radich (1958)

$6.8K worldwide

Highest rated

Odds Against Tomorrow (1959)

Midcredits 91st

Most popular right now

Flipper (1963)

By role

only this rolewith another role
Cinematography25 of 25: 25 only cinematography, 0 with another role · typical Midcredits score65th

By decade

1930s1 · crew1950s13 · crew1960s10 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Joseph C. Brun's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 14

Approval · how many liked their films

63rdpercentile
Typical film, the median of 14

Reach · how many have seen their films

46thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

8 of their 14 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed4

Most divisive · cinematographer

The Fat Spy (1966)

79th percentile spread · 75% rated it 4 or lower

Most loved · cinematographer

Odds Against Tomorrow (1959)

Midcredits 91st · 81% liked

Reviewers score the cinematography 72/100 in their films, across 12 reviewed titles; fans 77, detractors 54. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joseph C. Brun work with?

People who share at least 2 of Joseph C. Brun's MovieCove titles, grouped by what they did on them; Louis De Rochemont shares the most, 3.

Directors

Writers

Actors

Composers and editors

Producers