Skip to content
MovieCove

Angelo Ross

Editor

Works as
Editor
Titles
11 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 17% in 30 days

What are Angelo Ross' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama3 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 45th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Biography movies
Crime2 titlesTypical Midcredits score: 51st percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
32%
Self
21%
Bonds
20%
Society
16%
Power
9%
Survival
2%
Identity2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 3 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 8 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 6 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
4
Contemplative
3
Thrilling
2
Bittersweet
2
Other
10

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet6
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Angelo Ross' films?

As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Angelo Ross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 11 with a MovieCove page.

  • Masterblaster (not in the MovieCove catalog yet)(1987)

    Editor

  • Hammerhead Jones (not in the MovieCove catalog yet)(1987)

    Editor

  • Jaguar Lives!(1979)

    Editor

    Midcredits score: 7th percentile of all films

  • King Frat (not in the MovieCove catalog yet)(1979)

    Editor

  • Human Feelings (not in the MovieCove catalog yet)(1978)

    Editor

  • Mr. No Legs (not in the MovieCove catalog yet)(1978)

    Editor

  • Polk County Pot Plane (not in the MovieCove catalog yet)(1977)

    Editor

  • Smokey and the Bandit(1977)

    Editor

    Midcredits score: 82nd percentile of all films

  • Fun and Games (not in the MovieCove catalog yet)(1973)

    Editor

  • To All My Friends on Shore (not in the MovieCove catalog yet)(1972)

    Editor

  • Who Killed Mary Whats'ername?(1971)

    Editor

    Midcredits score: 33rd percentile of all films

  • Some of My Best Friends Are...(1971)

    Editor

    Midcredits score: 39th percentile of all films

  • I Never Sang for My Father(1970)

    Editor

    Midcredits score: 89th percentile of all films

  • The Cross and the Switchblade(1970)

    Editor

    Midcredits score: 55th percentile of all films

  • Bridge to Space (not in the MovieCove catalog yet)(1968)

    Editor

  • Who Killed Teddy Bear(1965)

    Editor

    Midcredits score: 68th percentile of all films

  • Diary of a Bachelor(1964)

    Editor

    Midcredits score: 10th percentile of all films

  • The Hustler(1961)

    Music Editor

    Midcredits score: 98th percentile of all films

  • Walk East on Beacon (not in the MovieCove catalog yet)(1952)

    Editor

  • The Whistle at Eaton Falls(1951)

    Editor

    Midcredits score: 70th percentile of all films

  • 24 Hours of Progress (not in the MovieCove catalog yet)(1950)

    Editor

  • Lost Boundaries(1949)

    Editor

    Midcredits score: 76th percentile of all films

Career shape

A full career of 21 titles from 1949 to 1987.

Biggest box office

Smokey and the Bandit (1977)

$127M worldwide

Highest rated

I Never Sang for My Father (1970)

Midcredits 89th

Most popular right now

Smokey and the Bandit (1977)

By role

only this rolewith another role
Editing20 of 21: 20 only editing, 0 with another role · typical Midcredits score68thOther crew1 of 21: 1 only other crew, 0 with another role

By decade

1940s1 · crew1950s3 · crew1960s3 · crew1970s12 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Angelo Ross' films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 10

Approval · how many liked their films

62ndpercentile
Typical film, the median of 10

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

5 of their 11 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser5
  • Mixed3

Most divisive · editor

The Cross and the Switchblade (1970)

71st percentile spread · 19% rated it 4 or lower

Most loved · editor

I Never Sang for My Father (1970)

Midcredits 89th · 80% liked

Reviewers score the pacing 48/100 in their films, across 10 reviewed titles; fans 56, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Angelo Ross work with?

People who share at least 2 of Angelo Ross' MovieCove titles, grouped by what they did on them; Carleton Carpenter shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers