Bert Rule
Editor · Lambeth, London, England, UK
- Lambeth, London, England, UK
- Editor
- 10 on MovieCove · 28 credits in all
What are Bert Rule's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 7 · Serious 0 · Dark 0
Grounded 2 · Stylized 5 · Heightened 0
Gentle 2 · Charged 5 · Intense 0
A split, not a type: Steady 3 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 3
Slow burn 1 · Even-paced 5 · Relentless 1
Casual 5 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bert Rule's films?
As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).
- BritBox
Subscription and free streaming for Bert Rule's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 10 with a MovieCove page.
Return of the Saint (not in the MovieCove catalog yet)(1978)
The Persuaders! (not in the MovieCove catalog yet)(1973)
The Protectors(1972)
Midcredits score: 34th percentile of all shows
The Persuaders!(1971)
Midcredits score: 90th percentile of all shows
Run a Crooked Mile (not in the MovieCove catalog yet)(1969)
Vendetta for the Saint(1969)
Midcredits score: 52nd percentile of all films
Crossplot(1969)
Midcredits score: 26th percentile of all films
The Fiction Makers (not in the MovieCove catalog yet)(1968)
Gideon's Way (not in the MovieCove catalog yet)(1965)
Murder at the Gallop(1963)
Midcredits score: 89th percentile of all films
The Saint (not in the MovieCove catalog yet)(1962)
Kill or Cure (not in the MovieCove catalog yet)(1962)
Operation Snatch (not in the MovieCove catalog yet)(1962)
The Hellions (not in the MovieCove catalog yet)(1961)
Nothing Barred (not in the MovieCove catalog yet)(1961)
The Avengers (not in the MovieCove catalog yet)(1961)
Three on a Spree(1961)
Midcredits score: 21st percentile of all films
Two Way Stretch(1960)
Midcredits score: 74th percentile of all films
Tarzan the Magnificent (not in the MovieCove catalog yet)(1960)
Midcredits score: 53rd percentile of all films
Idol on Parade (not in the MovieCove catalog yet)(1959)
Tank Force! (not in the MovieCove catalog yet)(1958)
Charley Moon (not in the MovieCove catalog yet)(1956)
Zarak(1956)
Midcredits score: 22nd percentile of all films
Richard III(1955)
Midcredits score: 90th percentile of all films
Raising a Riot (not in the MovieCove catalog yet)(1955)
The Teckman Mystery (not in the MovieCove catalog yet)(1954)
The Cure for Love (not in the MovieCove catalog yet)(1949)
Career shape
A full career of 25 titles from 1949 to 1978.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Bert Rule's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 10 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 61/100 in their films, across 7 reviewed titles; fans 70, detractors 46. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Bert Rule work with?
People who share at least 2 of Bert Rule's MovieCove titles, grouped by what they did on them; John Kruse shares the most, 2.
Writers
- John KruseShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with John Kruse
Actors
- Finlay CurrieShared titles: Vendetta for the Saint (1969), Zarak (1956)See all 2 shared titles with Finlay Currie
- Roger MooreShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Roger Moore
Cinematographers
- Brendan J. StaffordShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Brendan J. Stafford
Producers
- Johnny GoodmanShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Johnny Goodman
- Robert S. BakerShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Robert S. Baker
