Brendan J. Stafford
Cinematographer · Died July 16, 1991 · Dublin, Ireland
- July 16, 1991
- Dublin, Ireland
- Cinematographer
- 9 on MovieCove · 33 credits in all
What are Brendan J. Stafford's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Brendan J. Stafford's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Brendan J. Stafford's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
33 credits, 9 with a MovieCove page.
Midcredits score: 47th percentile of all films
Space: 1999(1975)
Midcredits score: 64th percentile of all shows
The Protectors(1972)
Midcredits score: 34th percentile of all shows
UFO(1970)
Midcredits score: 86th percentile of all shows
Crossplot(1969)
Midcredits score: 26th percentile of all films
Vendetta for the Saint(1969)
Midcredits score: 52nd percentile of all films
Koroshi (not in the MovieCove catalog yet)(1968)
The Prisoner(1967)
Midcredits score: 92nd percentile of all shows
The Sentimental Agent (not in the MovieCove catalog yet)(1963)
Man of the World (not in the MovieCove catalog yet)(1962)
Sir Francis Drake (not in the MovieCove catalog yet)(1961)
Danger Man(1960)
Midcredits score: 83rd percentile of all shows
Your Money or Your Wife (not in the MovieCove catalog yet)(1960)
And Women Shall Weep (not in the MovieCove catalog yet)(1960)
Witness in the Dark (not in the MovieCove catalog yet)(1959)
The Adventures of William Tell (not in the MovieCove catalog yet)(1958)
The Hide-Out (not in the MovieCove catalog yet)(1956)
Find the Lady (not in the MovieCove catalog yet)(1956)
One Jump Ahead (not in the MovieCove catalog yet)(1955)
Profile (not in the MovieCove catalog yet)(1954)
Eight O'Clock Walk(1954)
Midcredits score: 67th percentile of all films
Bang! You're Dead (not in the MovieCove catalog yet)(1954)
Three's Company (not in the MovieCove catalog yet)(1953)
Men Against the Sun (not in the MovieCove catalog yet)(1953)
The Genie (not in the MovieCove catalog yet)(1953)
Circumstantial Evidence (not in the MovieCove catalog yet)(1952)
The Wallet (not in the MovieCove catalog yet)(1952)
Portrait of Dublin (not in the MovieCove catalog yet)(1952)
The Armchair Detective (not in the MovieCove catalog yet)(1951)
Paul Temple's Triumph (not in the MovieCove catalog yet)(1950)
The Marshall Plan at Work in Great Britain (not in the MovieCove catalog yet)(1950)
Proud Canvas (not in the MovieCove catalog yet)(1949)
The Missing Princess (not in the MovieCove catalog yet)(1948)
Career shape
A full career of 32 titles from 1948 to 1984.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Brendan J. Stafford's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th3
Shape of the crowd
None of their 9 titles divides audiences: 6 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Mixed2
Reviewers score the cinematography 54/100 in their films, across 4 reviewed titles; fans 60, detractors 40. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Brendan J. Stafford work with?
People who share at least 2 of Brendan J. Stafford's MovieCove titles, grouped by what they did on them; John Kruse shares the most, 2.
Writers
- John KruseShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with John Kruse
Actors
- Roger MooreShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Roger Moore
Editors
- Bert RuleShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Bert Rule
Producers
- Johnny GoodmanShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Johnny Goodman
- Robert S. BakerShared titles: Crossplot (1969), Vendetta for the Saint (1969)See all 2 shared titles with Robert S. Baker
