John Rushton
- Editor
- 6 on MovieCove · 7 credits in all
What are John Rushton's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 0 · Stylized 1 · Heightened 2
Gentle 2 · Charged 1 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John Rushton's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for John Rushton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 6 with a MovieCove page.
Paddington Bear(1976)
Midcredits score: 52nd percentile of all shows
Brother Sun, Sister Moon(1972)
Midcredits score: 82nd percentile of all films
Midcredits score: 74th percentile of all films
Tales of the Bizarre(1970)
Midcredits score: 12th percentile of all films
Night After Night After Night (not in the MovieCove catalog yet)(1969)
Romeo and Juliet(1968)
Midcredits score: 91st percentile of all films
Peeping Tom(1960)
Midcredits score: 94th percentile of all films
Career shape
A full career of 5 titles from 1960 to 1971.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do John Rushton's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- Below 25th1
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser3
- Mixed1
Reviewers score the pacing 40/100 in their films, across 3 reviewed titles; fans 50, detractors 28. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does John Rushton work with?
People who share at least 2 of John Rushton's MovieCove titles; Reginald Mills shares the most, 2.
- Reginald MillsShared titles: Brother Sun, Sister Moon (1972), The Tales of Beatrix Potter (1971)See all 2 shared titles with Reginald Mills