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Harry Ruskin

Harry Ruskin

Writer, also producer

Works as
Writer, also producer
Titles
25 on MovieCove · 55 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 1% in 30 days

What are Harry Ruskin's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy14 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Comedy movies
Drama7 titlesTypical Midcredits score: 50th percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 52nd percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
49%
Morality
19%
Self
14%
Power
7%
Survival
6%
Society
3%
Ideas
2%
Romantic love11 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themeDeception5 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeMarriage3 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeGrief3 titles, browse their movies with this theme

What they feel like to watch

their average across 25 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 19 · Serious 3 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 19 · Stylized 4 · Heightened 2

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 19 · Charged 4 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 7 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 10 · Funny 10

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 13 · Even-paced 11 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 21 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 24 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
12
Warm
9
Tense
6
Absurd
8
Melancholic
6
Other
20

How their films linger

Feel-good15 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertasteCozy2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy17
  • Bittersweet7
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Ruskin's films?

As of October 24, 2026, 5 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Harry Ruskin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 25 with a MovieCove page.

  • The Girl in the Kremlin(1957)

    Story

    Midcredits score: 10th percentile of all films

  • Lady Godiva of Coventry(1955)

    Writer

    Midcredits score: 23rd percentile of all films

  • Watch the Birdie(1950)

    Producer · Screenplay

    Midcredits score: 40th percentile of all films

  • The Happy Years (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Tenth Avenue Angel (not in the MovieCove catalog yet)(1948)

    Writer

  • Julia Misbehaves(1948)

    Writer

    Midcredits score: 74th percentile of all films

  • Dark Delusion (not in the MovieCove catalog yet)(1947)

    Screenplay

  • Love Laughs at Andy Hardy(1946)

    Screenplay

    Midcredits score: 37th percentile of all films

  • The Postman Always Rings Twice(1946)

    Screenplay

    Midcredits score: 91st percentile of all films

  • The Hidden Eye (not in the MovieCove catalog yet)(1945)

    Screenplay

  • Between Two Women (not in the MovieCove catalog yet)(1945)

    Writer

  • Lost in a Harem(1944)

    Screenplay

    Midcredits score: 61st percentile of all films

  • Barbary Coast Gent (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Andy Hardy's Blonde Trouble(1944)

    Screenplay

    Midcredits score: 59th percentile of all films

  • Rationing (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Dr. Gillespie's Criminal Case(1943)

    Screenplay

    Midcredits score: 41st percentile of all films

  • Dr. Gillespie's New Assistant (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Tish(1942)

    Screenplay

    Midcredits score: 44th percentile of all films

  • Calling Dr. Gillespie (not in the MovieCove catalog yet)(1942)

    Screenplay

  • This Time for Keeps (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Dr. Kildare's Victory(1942)

    Screenplay

    Midcredits score: 52nd percentile of all films

  • Dr. Kildare's Wedding Day(1941)

    Screenplay

    Midcredits score: 53rd percentile of all films

  • The People Vs. Dr. Kildare (not in the MovieCove catalog yet)(1941)

    Screenplay

  • The Penalty (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Andy Hardy's Private Secretary(1941)

    Screenplay

    Midcredits score: 65th percentile of all films

  • Keeping Company (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Dr. Kildare's Crisis (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Dr. Kildare Goes Home(1940)

    Screenplay

    Midcredits score: 66th percentile of all films

  • Dr. Kildare's Strange Case (not in the MovieCove catalog yet)(1940)

    Screenplay

  • The Ghost Comes Home(1940)

    Screenplay

    Midcredits score: 35th percentile of all films

  • The Secret of Dr. Kildare(1939)

    Screenplay

    Midcredits score: 50th percentile of all films

  • Miracles for Sale (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Calling Dr. Kildare (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Honolulu(1939)

    Writer

    Midcredits score: 58th percentile of all films

  • Young Dr. Kildare (not in the MovieCove catalog yet)(1938)

    Writer

  • The Chaser (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Paradise for Three (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Love Is a Headache(1938)

    Screenplay

    Midcredits score: 46th percentile of all films

  • Beg, Borrow or Steal(1937)

    Screenplay

    Midcredits score: 59th percentile of all films

  • The Women Men Marry (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Bad Guy (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Married Before Breakfast (not in the MovieCove catalog yet)(1937)

    Story

  • The Hit Parade (not in the MovieCove catalog yet)(1937)

    Additional Dialogue

  • 23 1/2 Hours Leave(1937)

    Writer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • Great Guy (not in the MovieCove catalog yet)(1936)

    Dialogue

  • The Big Noise (not in the MovieCove catalog yet)(1936)

    Story

  • Two for Tonight (not in the MovieCove catalog yet)(1935)

    Writer

  • The Glass Key (not in the MovieCove catalog yet)(1935)

    Additional Dialogue

  • Rumba(1935)

    Writer

    Midcredits score: 35th percentile of all films

  • Six of a Kind(1934)

    Screenplay

    Midcredits score: 68th percentile of all films

  • It's a Gift(1934)

    Writer

    Midcredits score: 76th percentile of all films

  • You Belong to Me(1934)

    Writer

    Midcredits score: 60th percentile of all films (provisional, few ratings)

  • Too Much Harmony (not in the MovieCove catalog yet)(1933)

    Dialogue

  • Hello, Sister!(1933)

    Writer

    Midcredits score: 53rd percentile of all films

  • King of Jazz (not in the MovieCove catalog yet)(1930)

    Writer

Career shape

A full career of 50 titles from 1930 to 1957.

Biggest box office

The Postman Always Rings Twice (1946)

$380 worldwide

Highest rated

The Postman Always Rings Twice (1946)

Midcredits 91st

By role

only this rolewith another role
Writing48 of 50: 47 only writing, 1 with another role · typical Midcredits score51stProducing1 of 50: 0 only producing, 1 with another roleOther crew2 of 50: 2 only other crew, 0 with another role

By decade

1930s21 · crew1940s25 · crew1950s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Harry Ruskin's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 25; across their 25 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 25

Approval · how many liked their films

45thpercentile
Typical film, the median of 25

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 25

Midcredits score across 25 titles, by percentile

  • 75th and up2
  • 50th to 74th13
  • 25th to 49th7
  • Below 25th3

Shape of the crowd

11 of their 25 titles are Crowd Pleasers.

  • Crowd Pleaser11
  • Broadly Agreed7
  • Mixed7

Most divisive · writer

The Girl in the Kremlin (1957)

63rd percentile spread · 38% rated it 4 or lower

Most loved · writer

The Postman Always Rings Twice (1946)

Midcredits 91st · 81% liked

Reviewers score the dialogue 52/100 and the plot and story 39/100 in their films, across 24 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Harry Ruskin work with?

People who share at least 2 of Harry Ruskin's MovieCove titles, grouped by what they did on them; Carey Wilson shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers