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Jack J. Gross

Producer · Died March 11, 1964, aged 61

Born
July 29, 1902
Died
March 11, 1964 (aged 61)
Works as
Producer
Titles
28 on MovieCove · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

What are Jack J. Gross' films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama8 titlesTypical Midcredits score: 57th percentile
: browse their Drama movies
Adventure5 titlesTypical Midcredits score: 54th percentile
: browse their Adventure movies
Crime5 titlesTypical Midcredits score: 58th percentile
: browse their Crime movies
Comedy4 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Comedy movies
Horror3 titlesTypical Midcredits score: 86th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
35%
Bonds
21%
Self
17%
Survival
11%
Power
9%
Ideas
6%
Society
1%
Deception7 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeMarriage4 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeGreed4 titles, browse their movies with this theme

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 11 · Serious 4 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 13 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 11 · Intense 10

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 15 · Shifting 11 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 17 · Some laughs 6 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 16 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 11 · Engaged 16 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 13 · Affecting 7 · Heavy 7

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 5 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Dread
8
Melancholic
10
Thrilling
6
Romantic
7
Other
20

How their films linger

Fun8 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy10
  • Bittersweet12
  • Tragic4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jack J. Gross' films?

As of October 24, 2026, 6 of their 28 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Jack J. Gross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 28 with a MovieCove page.

  • The Pursuers (not in the MovieCove catalog yet)(1961)

    Show Creator

  • Monster from Green Hell(1957)

    Executive Producer

    Midcredits score: 2nd percentile of all films

  • Please Murder Me!(1956)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Mark of the Renegade(1951)

    Producer

    Midcredits score: 37th percentile of all films

  • The Woman on Pier 13(1949)

    Producer

    Midcredits score: 38th percentile of all films

  • The Big Steal (not in the MovieCove catalog yet)(1949)

    Producer

  • Roughshod (not in the MovieCove catalog yet)(1949)

    Executive Producer

  • Rachel and the Stranger(1948)

    Executive Producer

    Midcredits score: 79th percentile of all films

  • Race Street (not in the MovieCove catalog yet)(1948)

    Executive Producer

  • Return of the Bad Men(1948)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • Night Song(1947)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • If You Knew Susie(1948)

    Producer

    Midcredits score: 45th percentile of all films

  • They Won't Believe Me(1947)

    Executive Producer

    Midcredits score: 85th percentile of all films

  • Riffraff(1947)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • The Woman on the Beach(1947)

    Executive Producer

    Midcredits score: 56th percentile of all films

  • A Likely Story (not in the MovieCove catalog yet)(1947)

    Executive Producer

  • Trail Street (not in the MovieCove catalog yet)(1947)

    Executive Producer

  • The Locket(1946)

    Executive Producer

    Midcredits score: 83rd percentile of all films

  • Nocturne(1946)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Crack-Up (not in the MovieCove catalog yet)(1946)

    Producer

  • Bedlam(1946)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • Badman's Territory(1946)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • From This Day Forward(1946)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Johnny Angel (not in the MovieCove catalog yet)(1945)

    Executive Producer

  • George White's Scandals(1945)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Isle of the Dead(1945)

    Executive Producer

    Midcredits score: 59th percentile of all films

  • First Yank Into Tokyo(1945)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • The Body Snatcher(1945)

    Executive Producer

    Midcredits score: 88th percentile of all films

  • China Sky(1945)

    Executive Producer

    Midcredits score: 33rd percentile of all films

  • The Enchanted Cottage (not in the MovieCove catalog yet)(1945)

    Executive Producer

  • Ali Baba and the Forty Thieves(1943)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • Son of Dracula(1943)

    Executive Producer

    Midcredits score: 37th percentile of all films

  • Phantom of the Opera(1943)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • The Wolf Man(1941)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • Never Give a Sucker an Even Break(1941)

    Producer

    Midcredits score: 81st percentile of all films

  • The Bank Dick(1940)

    Producer

    Midcredits score: 79th percentile of all films

  • My Little Chickadee(1940)

    Producer

    Midcredits score: 73rd percentile of all films

Career shape

A full career of 34 titles from 1940 to 1961.

Biggest box office

The Wolf Man (1941)

$1.7K worldwide

Highest rated

The Body Snatcher (1945)

Midcredits 88th

Most popular right now

The Wolf Man (1941)

By role

only this rolewith another role
Producing33 of 34: 33 only producing, 0 with another role · typical Midcredits score56thOther crew1 of 34: 1 only other crew, 0 with another role

By decade

1940s29 · crew1950s4 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jack J. Gross' films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 28; across their 27 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 27

Approval · how many liked their films

54thpercentile
Typical film, the median of 27

Reach · how many have seen their films

56thpercentile
Typical film, the median of 27

Midcredits score across 28 titles, by percentile

  • 75th and up7
  • 50th to 74th13
  • 25th to 49th6
  • Below 25th2

Shape of the crowd

20 of their 28 titles are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser20
  • Broadly Agreed5
  • Mixed2

Most divisive · producer

First Yank Into Tokyo (1945)

54th percentile spread · 26% rated it 4 or lower

Most loved · producer

The Body Snatcher (1945)

Midcredits 88th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jack J. Gross' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 3 · minimalMedian of all films: 32
Alcohol & Drugs3 titlesmedian 21 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jack J. Gross work with?

People who share at least 2 of Jack J. Gross' MovieCove titles, grouped by what they did on them; Roy Webb shares the most, 7.

Directors

Writers

Actors

Composers and cinematographers

Producers