
Sabu
Actor · Died December 2, 1963, aged 39 · Karapur, Mysore, Kingdom of Mysore, British India
Sabu Dastagir (possibly born Selar Sabu; 27 January 1924 – 2 December 1963) was an Indian actor who later gained United States citizenship. Throughout his career he was credited under the name Sabu and is primarily known for his work in films during the 1930s–1940s in Britain and the United States. He was inducted into the Hollywood Walk of Fame in 1960.
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Biography from TMDB.
- January 27, 1924
- December 2, 1963 (aged 39)
- Karapur, Mysore, Kingdom of Mysore, British India
- Actor
- 9 on MovieCove · 24 credits in all
What are Sabu's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
A split, not a type: Light 4 · Serious 2 · Dark 2
A split, not a type: Grounded 2 · Stylized 2 · Heightened 4
Gentle 0 · Charged 8 · Intense 0
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 6 · Relentless 0
Casual 5 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 5 · Affecting 1 · Heavy 2
Resolved 7 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Ally: 3 of 6 analyzed roles.
- Tricksteras Ali Ben Ali in Arabian Nights (1942)
- Heroas Mowgli in The Jungle Book (1942)
- Allyas Orano in White Savage (1943)
- Allyas Kado in Cobra Woman (1944)
- Heroas Manoel in The End of the River (1947)
- Allyas Talib in Rampage (1963)
Moods and endings
- Happy5
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sabu's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service.
- ZEE5
Subscription and free streaming for Sabu's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Visual Effects: The Thief of Bagdad (not in the MovieCove catalog yet)(2008)

A Tiger Walks (not in the MovieCove catalog yet)(1964)

Rampage(1963)
Midcredits score: 28th percentile of all films
Mistress of the World - Part II (not in the MovieCove catalog yet)(1960)

Mistress of the World(1960)
Midcredits score: 11th percentile of all films
Sabu and the Magic Ring (not in the MovieCove catalog yet)(1957)

Jungle Hell (not in the MovieCove catalog yet)(1956)

Jaguar (not in the MovieCove catalog yet)(1956)

The Black Panther (not in the MovieCove catalog yet)(1956)

The Treasure of Bengal (not in the MovieCove catalog yet)(1953)

Hello Elephant (not in the MovieCove catalog yet)(1952)

Savage Drums (not in the MovieCove catalog yet)(1951)

Song of India (not in the MovieCove catalog yet)(1949)

Man-Eater of Kumaon (not in the MovieCove catalog yet)(1948)

The End of the River(1947)
Midcredits score: 23rd percentile of all films
Black Narcissus(1947)
Midcredits score: 95th percentile of all films
Tangier (not in the MovieCove catalog yet)(1946)

Cobra Woman(1944)
Midcredits score: 36th percentile of all films
White Savage(1943)
Midcredits score: 33rd percentile of all films
Arabian Nights(1942)
Midcredits score: 44th percentile of all films
The Jungle Book(1942)
Midcredits score: 70th percentile of all films
The Thief of Bagdad(1940)
Midcredits score: 90th percentile of all films
The Drum (not in the MovieCove catalog yet)(1938)

Elephant Boy (not in the MovieCove catalog yet)(1937)
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 24 titles from 1937 to 2008.

Biggest box office
The Jungle Book (1942)

Highest rated
Black Narcissus (1947)

Most popular right now
The Thief of Bagdad (1940)
Film career
Top draw in 2 MovieCove titles.
- 1938Screen debut· The Drum
- 1938First top-billed film· The Drum
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Sabu's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th4
- Below 25th2
Shape of the crowd
None of their 9 titles divides audiences: 5 are Mixed.
- Universally Loved2
- Crowd Pleaser1
- Broadly Agreed1
- Mixed5
Reviewers score the acting 56/100 in their films, across 8 reviewed titles; fans 67, detractors 34. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sabu work with?
People who share at least 2 of Sabu's MovieCove titles, grouped by what they did on them; Michael Powell shares the most, 3.
Directors
- Michael PowellShared titles: Black Narcissus (1947), The End of the River (1947), The Thief of Bagdad (1940)See all 3 shared titles with Michael Powell

- Zoltan KordaShared titles: The Jungle Book (1942), The Thief of Bagdad (1940)See all 2 shared titles with Zoltan Korda

Writers
- Emeric PressburgerShared titles: Black Narcissus (1947), The End of the River (1947)See all 2 shared titles with Emeric Pressburger

- Richard BrooksShared titles: Cobra Woman (1944), White Savage (1943)See all 2 shared titles with Richard Brooks

Actors
- Jon HallShared titles: Cobra Woman (1944), White Savage (1943), Arabian Nights (1942)See all 3 shared titles with Jon Hall

- Maria MontezShared titles: Cobra Woman (1944), White Savage (1943), Arabian Nights (1942)See all 3 shared titles with Maria Montez

- Esmond KnightShared titles: Black Narcissus (1947), The End of the River (1947)See all 2 shared titles with Esmond Knight

- Edgar BarrierShared titles: Cobra Woman (1944), Arabian Nights (1942)See all 2 shared titles with Edgar Barrier

Composers, cinematographers and editors
- Reginald MillsShared titles: Black Narcissus (1947), The End of the River (1947)See all 2 shared titles with Reginald Mills
- W. Howard GreeneShared titles: Cobra Woman (1944), The Jungle Book (1942)See all 2 shared titles with W. Howard Greene
- Frank SkinnerShared titles: White Savage (1943), Arabian Nights (1942)See all 2 shared titles with Frank Skinner

- Miklós RózsaShared titles: The Jungle Book (1942), The Thief of Bagdad (1940)See all 2 shared titles with Miklós Rózsa

Producers
- George R. BusbyShared titles: Black Narcissus (1947), The End of the River (1947)See all 2 shared titles with George R. Busby
- George WaggnerShared titles: Cobra Woman (1944), White Savage (1943)See all 2 shared titles with George Waggner

- Alexander KordaShared titles: The Jungle Book (1942), The Thief of Bagdad (1940)See all 2 shared titles with Alexander Korda





