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What are Pierre Sayag's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
49%
Bonds
29%
Morality
22%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Contemplative
2
Cold
1
Romantic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pierre Sayag's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Pierre Sayag's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Hideous Kinky(1998)

    Producer

    Midcredits score: 45th percentile of all films
  • Dirty Like an Angel(1991)

    Producer

    Midcredits score: 31st percentile of all films
  • Virgin(1988)

    Producer

    Midcredits score: 42nd percentile of all films
  • Nocturnal Uproar(1979)

    Producer

    Midcredits score: 24th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1979 to 1998.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

1970s1 · crew1980s1 · crew1990s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Pierre Sayag's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 4

Approval · how many liked their films

33rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th3
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pierre Sayag's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 40 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Pierre Sayag work with?

People who share at least 2 of Pierre Sayag's MovieCove titles, grouped by what they did on them; Catherine Breillat shares the most, 3.

Directors

Cinematographers

Producers