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MovieCove

Emmanuel Schlumberger

Producer

Works as
Producer
Titles
10 on MovieCove

What are Emmanuel Schlumberger's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 7

A split, not a type: Grounded 5 · Stylized 3 · Heightened 2

A split, not a type: Gentle 1 · Charged 4 · Intense 5

Steady 2 · Shifting 8 · Whiplash 0

Straight-faced 8 · Some laughs 1 · Funny 1

Slow burn 7 · Even-paced 3 · Relentless 0

A split, not a type: Casual 5 · Engaged 3 · Full focus 2

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
7
Romantic
3
Absurd
2
Contemplative
2
Other
3

How their films end · 2 with a twist

  • Happy2
  • Bittersweet1
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emmanuel Schlumberger's films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

Subscription and free streaming for Emmanuel Schlumberger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Hideous Kinky(1998)

    Producer

    Midcredits score: 45th percentile of all films
  • Dirty Like an Angel(1991)

    Producer

    Midcredits score: 31st percentile of all films
  • Twisted Obsession(1989)

    Producer

    Midcredits score: 39th percentile of all films
  • Virgin(1988)

    Producer

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 67th percentile of all films
  • Le bon roi Dagobert(1984)

    Producer

    Midcredits score: 9th percentile of all films
  • A Love in Germany(1983)

    Producer

    Midcredits score: 54th percentile of all films
  • Danton(1983)

    Producer

    Midcredits score: 89th percentile of all films
  • Midcredits score: 43rd percentile of all films
  • To Our Loves(1983)

    Producer

    Midcredits score: 82nd percentile of all films

Career shape

Across their 10 MovieCove titles from 1983 to 1998.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score44th

By decade

1980s8 · crew1990s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Emmanuel Schlumberger's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 10

Approval · how many liked their films

47thpercentile
Typical film, the median of 10

Reach · how many have seen their films

65thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Emmanuel Schlumberger's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity6 titles31–68 · median 50 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Emmanuel Schlumberger work with?

People who share at least 2 of Emmanuel Schlumberger's MovieCove titles, grouped by what they did on them; Pierre Sayag shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors

Producers