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Joseph Schrank

Writer

Works as
Writer
Titles
7 on MovieCove · 15 credits in all
TMDB popularity, last 39 days to Oct 28Up 1% in 30 days

What are Joseph Schrank's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 0 · Dark 0

Grounded 1 · Stylized 5 · Heightened 1

Gentle 4 · Charged 3 · Intense 0

Steady 5 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 3 · Funny 4

Slow burn 2 · Even-paced 5 · Relentless 0

Casual 6 · Engaged 1 · Full focus 0

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Romantic
4
Hopeful
3
Warm
3
Absurd
1
Other
4

How their films end

  • Happy6
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joseph Schrank's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

Subscription and free streaming for Joseph Schrank's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 7 with a MovieCove page.

  • Ballad of Smokey the Bear (not in the MovieCove catalog yet)(1966)

    Writer

  • Cinderella(1965)

    Teleplay

    Midcredits score: 83rd percentile of all films
  • The Letter (not in the MovieCove catalog yet)(1956)

    Screenplay

  • The Clock(1945)

    Screenplay

    Midcredits score: 90th percentile of all films
  • Bathing Beauty(1944)

    Adaptation

    Midcredits score: 59th percentile of all films
  • Cabin in the Sky(1943)

    Screenplay

    Midcredits score: 82nd percentile of all films
  • Panama Hattie(1942)

    Story

    Midcredits score: 40th percentile of all films
  • The Magnificent Dope (not in the MovieCove catalog yet)(1942)

    Story

  • Midcredits score: 69th percentile of all films
  • Song of the Islands (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Hard to Get (not in the MovieCove catalog yet)(1938)

    Story

  • He Couldn't Say No (not in the MovieCove catalog yet)(1938)

    Screenplay · Theatre Play

  • A Slight Case of Murder(1938)

    Screenplay

    Midcredits score: 79th percentile of all films
  • Swing Your Lady (not in the MovieCove catalog yet)(1938)

    Author · Screenplay

  • Page Miss Glory (not in the MovieCove catalog yet)(1935)

    Writer

Career shape

A full career of 15 titles from 1935 to 1966.

By role

only this rolewith another role
Writing15 of 15: 15 only writing, 0 with another role · typical Midcredits score79th

By decade

1930s5 · crew1940s7 · crew1950s1 · crew1960s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Joseph Schrank's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 7

Approval · how many liked their films

82ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up4
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Mixed1

Reviewers score the dialogue 56/100 and the plot and story 46/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joseph Schrank work with?

People who share at least 2 of Joseph Schrank's MovieCove titles, grouped by what they did on them; Vincente Minnelli shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers