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Nathan Scott

Composer

Works as
Composer
Titles
25 on MovieCove · 40 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 20% in 30 days

What are Nathan Scott's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama13 titlesTypical Midcredits score: 35th percentile, at or above their average across these genres
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 27th percentile
: browse their Comedy movies
Adventure2 titlesTypical Midcredits score: 26th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
30%
Self
21%
Bonds
20%
Society
17%
Power
5%
Ideas
4%
Survival
4%
Justice10 titles, browse their movies with this themeCommunity9 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeAmbition4 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeGreed3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 18 · Serious 2 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 17 · Stylized 6 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 14 · Charged 9 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 9 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 15 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 13 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 17 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Warm
10
Joyful
7
Thrilling
8
Hopeful
9
Other
15

How their films linger

Feel-good19 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy19
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nathan Scott's films?

As of October 24, 2026, 18 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Also on these channels

Subscription and free streaming for Nathan Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 25 with a MovieCove page.

  • High Anxiety(1977)

    Orchestrator

    Midcredits score: 68th percentile of all films

  • Lassie: Peace Is Our Profession (not in the MovieCove catalog yet)(1972)

    Composer

  • Lassie: Joyous Sound (not in the MovieCove catalog yet)(1972)

    Composer

  • Lassie: The Adventures of Neeka(1968)

    Composer

    Midcredits score: 24th percentile of all films (provisional, few ratings)

  • Lassie and the Flight of the Cougar (not in the MovieCove catalog yet)(1967)

    Composer

  • X-15(1961)

    Composer

    Midcredits score: 31st percentile of all films

  • Lassie(1954)

    Show 5 episodes · Composer

    Midcredits score: 28th percentile of all shows

  • Montana Belle (not in the MovieCove catalog yet)(1952)

    Composer

  • Hoodlum Empire (not in the MovieCove catalog yet)(1952)

    Composer

  • Oklahoma Annie(1952)

    Composer

    Midcredits score: 26th percentile of all films

  • The Last Musketeer (not in the MovieCove catalog yet)(1952)

    Composer

  • Lady Possessed(1952)

    Composer

    Midcredits score: 33rd percentile of all films (provisional, few ratings)

  • Insurance Investigator (not in the MovieCove catalog yet)(1951)

    Composer

  • Heart of the Rockies(1951)

    Composer

    Midcredits score: 32nd percentile of all films

  • California Passage (not in the MovieCove catalog yet)(1950)

    Composer

  • Trail of Robin Hood(1950)

    Composer

    Midcredits score: 45th percentile of all films

  • Surrender (not in the MovieCove catalog yet)(1950)

    Composer

  • The Avengers(1950)

    Composer

    Midcredits score: 30th percentile of all films (provisional, few ratings)

  • Twilight in the Sierras(1950)

    Composer

    Midcredits score: 35th percentile of all films

  • Singing Guns (not in the MovieCove catalog yet)(1950)

    Composer

  • The Kid from Cleveland (not in the MovieCove catalog yet)(1949)

    Composer

  • Brimstone (not in the MovieCove catalog yet)(1949)

    Composer

  • The Red Menace (not in the MovieCove catalog yet)(1949)

    Composer

  • Susanna Pass(1949)

    Composer

    Midcredits score: 62nd percentile of all films

  • Wake of the Red Witch(1948)

    Composer

    Midcredits score: 62nd percentile of all films

  • Grand Canyon Trail(1948)

    Composer

    Midcredits score: 25th percentile of all films

  • Angel on the Amazon(1948)

    Composer

    Midcredits score: 22nd percentile of all films

  • Angel in Exile (not in the MovieCove catalog yet)(1948)

    Composer

  • Nighttime in Nevada(1948)

    Composer

    Midcredits score: 55th percentile of all films

  • Secret Service Investigator (not in the MovieCove catalog yet)(1948)

    Composer

  • Under Californian Stars(1948)

    Composer

    Midcredits score: 23rd percentile of all films

  • The Inside Story(1948)

    Composer

    Midcredits score: 71st percentile of all films

  • The Gay Ranchero(1948)

    Composer

    Midcredits score: 37th percentile of all films

  • Driftwood(1947)

    Composer

    Midcredits score: 76th percentile of all films

  • Calendar Girl(1947)

    Composer

    Midcredits score: 28th percentile of all films

  • Robin Hood of Texas(1947)

    Composer

    Midcredits score: 42nd percentile of all films

  • Saddle Pals(1947)

    Composer

    Midcredits score: 50th percentile of all films

  • Springtime in the Sierras(1947)

    Composer

    Midcredits score: 33rd percentile of all films

  • Out California Way(1946)

    Composer

    Midcredits score: 32nd percentile of all films

  • The Magnificent Rogue(1946)

    Composer

    Midcredits score: 27th percentile of all films

Career shape

A full career of 32 titles from 1947 to 1977.

Highest rated

Wake of the Red Witch (1948)

Midcredits 62nd

By role

only this rolewith another role
Music31 of 32: 31 only music, 0 with another role · typical Midcredits score34thOther crew1 of 32: 1 only other crew, 0 with another role

By decade

1940s14 · crew1950s13 · crew1960s2 · crew1970s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nathan Scott's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 24; across their 23 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 23

Approval · how many liked their films

27thpercentile
Typical film, the median of 23

Reach · how many have seen their films

13thpercentile
Typical film, the median of 23

Midcredits score across 25 titles, by percentile

  • 75th and up1
  • 50th to 74th6
  • 25th to 49th15
  • Below 25th3

Shape of the crowd

18 of their 25 titles are Mixed.

  • Crowd Pleaser6
  • Broadly Agreed1
  • Mixed18

Most divisive · composer

The Avengers (1950)

68th percentile spread · 42% rated it 4 or lower

Most loved · composer

Driftwood (1947)

Midcredits 76th · 66% liked

Reviewers score the sound and music 53/100 in their films, across 14 reviewed titles; fans 61, detractors 42. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nathan Scott work with?

People who share at least 2 of Nathan Scott's MovieCove titles, grouped by what they did on them; Roy Rogers shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers