
Adele Mara
Actor · Died May 7, 2010, aged 87 · Highland Park, Michigan, USA
From Wikipedia, the free encyclopedia Adele Mara (April 28, 1923 – May 7, 2010), born Adelaide Delgado, was an American actress, singer and dancer who appeared in films during the 1940s and 1950s. During the 1940s, the blond actress was also a popular pinup girl. One of her early roles was as a receptionist in the Three Stooges film I Can Hardly Wait. Other films include The Vampire's Ghost, Wake of the Red Witch, Angel in Exile, Sands of Iwo Jima, California Passage, and Don Siegel's Count the Hours. In 1961 appeared as a guest star with Cesar Romero on The Red Skelton Show in a sketch titled "Deadeye & The Alamo" - she played Elaine the nurse. Born in Highland Park, Michigan, of Spanish descent, she was married to television writer/producer Roy Huggins and appeared as a dancer in three episodes of his 1957 television series Maverick. Mara died of natural causes on May 7, 2010. Description above from the Wikipedia article Adele Mara, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- April 28, 1923
- May 7, 2010 (aged 87)
- Highland Park, Michigan, USA
- Actor
- 26 on MovieCove · 78 credits in all
What are Adele Mara's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 15
Light 10 · Serious 5 · Dark 3
A split, not a type: Grounded 10 · Stylized 7 · Heightened 1
Gentle 4 · Charged 13 · Intense 1
Steady 7 · Shifting 10 · Whiplash 1
A split, not a type: Straight-faced 9 · Some laughs 7 · Funny 2
Slow burn 4 · Even-paced 11 · Relentless 3
A split, not a type: Casual 8 · Engaged 9 · Full focus 1
Easy watch 12 · Affecting 4 · Heavy 2
Resolved 14 · Open-ended 4 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 5 analyzed roles.
- Allyas Geraldine Travis - alias Gerry Smith in The Inner Circle (1946)
- Shadowas Sugar Lee in The Magnificent Rogue (1946)
- Heraldas Elena Del Rio in Twilight on the Rio Grande (1947)
- Allyas Maria Moreno in The Avengers (1950)
- Tricksteras Gracie Sager in Count the Hours! (1953)
Moods and endings
- Happy10
- Bittersweet5
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Adele Mara's films?
As of October 24, 2026, 15 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Adele Mara's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
78 credits, 26 with a MovieCove page.

Wheels (not in the MovieCove catalog yet)(1978)

Cool Million (not in the MovieCove catalog yet)(1972)
Midcredits score: 97th percentile of all shows
Thriller (not in the MovieCove catalog yet)(1960)

The Tall Man (not in the MovieCove catalog yet)(1960)

Lock-Up (not in the MovieCove catalog yet)(1959)

Laramie (not in the MovieCove catalog yet)(1959)

The Big Circus(1959)
Midcredits score: 50th percentile of all films
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
Westinghouse Desilu Playhouse (not in the MovieCove catalog yet)(1958)
Midcredits score: 19th percentile of all films
Maverick(1957)
Midcredits score: 86th percentile of all shows
The Black Whip (not in the MovieCove catalog yet)(1956)

Back from Eternity(1956)
Midcredits score: 64th percentile of all films
Cheyenne(1955)
Midcredits score: 79th percentile of all shows
The Life and Legend of Wyatt Earp (not in the MovieCove catalog yet)(1955)

The Millionaire (not in the MovieCove catalog yet)(1955)

The Adventures of Rin Tin Tin (not in the MovieCove catalog yet)(1954)

Studio 57 (not in the MovieCove catalog yet)(1954)

Count the Hours!(1953)
Midcredits score: 39th percentile of all films
The Sea Hornet (not in the MovieCove catalog yet)(1951)

California Passage (not in the MovieCove catalog yet)(1950)

The Avengers(1950)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Rock Island Trail(1950)
Midcredits score: 42nd percentile of all films
Sands of Iwo Jima(1949)
Midcredits score: 78th percentile of all films
Wake of the Red Witch(1948)
Midcredits score: 62nd percentile of all films
Angel in Exile (not in the MovieCove catalog yet)(1948)

Nighttime in Nevada(1948)
Midcredits score: 55th percentile of all films
I, Jane Doe(1948)
Midcredits score: 65th percentile of all films
The Gallant Legion (not in the MovieCove catalog yet)(1948)

Campus Honeymoon (not in the MovieCove catalog yet)(1948)

The Main Street Kid (not in the MovieCove catalog yet)(1948)

Exposed (not in the MovieCove catalog yet)(1947)

Blackmail (not in the MovieCove catalog yet)(1947)

Robin Hood of Texas(1947)
Midcredits score: 42nd percentile of all films
The Trespasser (not in the MovieCove catalog yet)(1947)

Web of Danger (not in the MovieCove catalog yet)(1947)
Midcredits score: 19th percentile of all films
I've Always Loved You(1946)
Midcredits score: 72nd percentile of all films
The Magnificent Rogue(1946)
Midcredits score: 27th percentile of all films
The Invisible Informer (not in the MovieCove catalog yet)(1946)

The Last Crooked Mile(1946)
Midcredits score: 39th percentile of all films
The Inner Circle(1946)
Midcredits score: 35th percentile of all films
Night Train to Memphis (not in the MovieCove catalog yet)(1946)

Traffic in Crime (not in the MovieCove catalog yet)(1946)

Passkey to Danger (not in the MovieCove catalog yet)(1946)

The Catman of Paris (not in the MovieCove catalog yet)(1946)

A Guy Could Change (not in the MovieCove catalog yet)(1946)

Song of Mexico (not in the MovieCove catalog yet)(1945)

The Tiger Woman (not in the MovieCove catalog yet)(1945)

Girls of the Big House (not in the MovieCove catalog yet)(1945)

Bells of Rosarita(1945)
Midcredits score: 50th percentile of all films
Flame of Barbary Coast(1945)
Midcredits score: 48th percentile of all films
The Vampire's Ghost (not in the MovieCove catalog yet)(1945)

Earl Carroll Vanities (not in the MovieCove catalog yet)(1945)

Grissly's Millions (not in the MovieCove catalog yet)(1945)

Thoroughbreds (not in the MovieCove catalog yet)(1944)

Faces in the Fog (not in the MovieCove catalog yet)(1944)

Atlantic City (not in the MovieCove catalog yet)(1944)

Call of the South Seas (not in the MovieCove catalog yet)(1944)

The Fighting Seabees(1944)
Midcredits score: 61st percentile of all films
I Can Hardly Wait (not in the MovieCove catalog yet)(1943)

Good Luck, Mr. Yates(1943)
Midcredits score: 20th percentile of all films
Crime Doctor (not in the MovieCove catalog yet)(1943)

Back from the Front (not in the MovieCove catalog yet)(1943)

Redhead from Manhattan (not in the MovieCove catalog yet)(1943)

Riders of the Northwest Mounted (not in the MovieCove catalog yet)(1943)

Reveille with Beverly (not in the MovieCove catalog yet)(1943)
The Great Glover (not in the MovieCove catalog yet)(1942)

You Were Never Lovelier(1942)
Midcredits score: 87th percentile of all films
Boston Blackie Goes Hollywood (not in the MovieCove catalog yet)(1942)

Lucky Legs (not in the MovieCove catalog yet)(1942)

Vengeance of the West (not in the MovieCove catalog yet)(1942)

Alias Boston Blackie (not in the MovieCove catalog yet)(1942)

Shut My Big Mouth(1942)
Midcredits score: 48th percentile of all films
Blondie Goes to College (not in the MovieCove catalog yet)(1942)

Honolulu Lu (not in the MovieCove catalog yet)(1941)
Career shape
Star power in the 81st percentile of 239,109 people with a billed film role, over a full career of 78 titles from 1941 to 1978.
Film career
- 1942Screen debut· You Were Never Lovelier
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Adele Mara's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 22; across their 18 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up5
- 50th to 74th9
- 25th to 49th9
- Below 25th3
Shape of the crowd
13 of their 26 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser13
- Broadly Agreed5
- Mixed6
Reviewers score the acting 57/100 in their films, across 17 reviewed titles; fans 65, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Adele Mara work with?
People who share at least 2 of Adele Mara's MovieCove titles, grouped by what they did on them; Nathan Scott shares the most, 5.
Directors
- John H. AuerShared titles: The Avengers (1950), I, Jane Doe (1948)See all 2 shared titles with John H. Auer

- Frank McDonaldShared titles: Twilight on the Rio Grande (1947), Bells of Rosarita (1945)See all 2 shared titles with Frank McDonald

- Philip FordShared titles: The Inner Circle (1946), The Last Crooked Mile (1946)See all 2 shared titles with Philip Ford

Writers
- Karen DeWolfShared titles: Count the Hours! (1953), Shut My Big Mouth (1942)See all 2 shared titles with Karen DeWolf
- James Edward GrantShared titles: Rock Island Trail (1950), Sands of Iwo Jima (1949)See all 2 shared titles with James Edward Grant

- Lawrence KimbleShared titles: The Avengers (1950), I, Jane Doe (1948)See all 2 shared titles with Lawrence Kimble
- Harry BrownShared titles: Sands of Iwo Jima (1949), Wake of the Red Witch (1948)See all 2 shared titles with Harry Brown
Actors
- Grant WithersShared titles: Rock Island Trail (1950), Nighttime in Nevada (1948), Wake of the Red Witch (1948), Bells of Rosarita (1945)See all 4 shared titles with Grant Withers

- Forrest TuckerShared titles: Rock Island Trail (1950), Sands of Iwo Jima (1949), Shut My Big Mouth (1942)See all 3 shared titles with Forrest Tucker

- John CarrollShared titles: The Avengers (1950), I, Jane Doe (1948)See all 2 shared titles with John Carroll

- Roy BarcroftShared titles: Rock Island Trail (1950), Bells of Rosarita (1945)See all 2 shared titles with Roy Barcroft

Composers, cinematographers and editors
- Nathan ScottShared titles: The Avengers (1950), Nighttime in Nevada (1948), Wake of the Red Witch (1948), Robin Hood of Texas (1947), The Magnificent Rogue (1946)See all 5 shared titles with Nathan Scott
- Richard L. Van EngerShared titles: Sands of Iwo Jima (1949), I, Jane Doe (1948), Wake of the Red Witch (1948), I've Always Loved You (1946), The Magnificent Rogue (1946)See all 5 shared titles with Richard L. Van Enger
- Reggie LanningShared titles: Sands of Iwo Jima (1949), I, Jane Doe (1948), Wake of the Red Witch (1948), The Inner Circle (1946)See all 4 shared titles with Reggie Lanning
- R. Dale ButtsShared titles: Rock Island Trail (1950), Nighttime in Nevada (1948), Twilight on the Rio Grande (1947)See all 3 shared titles with R. Dale Butts
Producers
- Edmund GraingerShared titles: Sands of Iwo Jima (1949), Wake of the Red Witch (1948)See all 2 shared titles with Edmund Grainger

- Edward J. WhiteShared titles: Nighttime in Nevada (1948), Bells of Rosarita (1945)See all 2 shared titles with Edward J. White
- William J. O'SullivanShared titles: The Inner Circle (1946), The Magnificent Rogue (1946)See all 2 shared titles with William J. O'Sullivan

