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Enzo Serafin

Cinematographer · Died December 27, 1995, aged 83 · Venezia, Italy

Born
April 16, 1912
Died
December 27, 1995 (aged 83)
From
Venezia, Italy
Works as
Cinematographer
Titles
14 on MovieCove · 50 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 33% in 30 days

What are Enzo Serafin's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Action4 titlesTypical Midcredits score: 28th percentile
: browse their Action movies
Drama4 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 25th percentile
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
37%
Bonds
35%
Society
14%
Self
7%
Survival
3%
Ideas
3%
Power
2%
Romantic love4 titles, browse their movies with this themeRevenge3 titles, browse their movies with this themeIsolation3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 5 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 7 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 4 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 5 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 5 · Even-paced 9 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 8 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
4
Absurd
3
Thrilling
3
Warm
3
Other
11

How their films linger

Fun5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy7
  • Bittersweet3
  • Tragic1
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Enzo Serafin's films?

As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Enzo Serafin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

50 credits, 14 with a MovieCove page.

  • The Mysterious Island (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • A cuore freddo (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Playgirl 70 (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Odia il prossimo tuo(1968)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Beyond the Law(1968)

    Cinematographer

    Midcredits score: 42nd percentile of all films

  • Day of Anger(1967)

    Cinematographer

    Midcredits score: 83rd percentile of all films

  • The Seventh Floor (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • The Wedding March (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Bare, Hot and Pure (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Condemned to Sin (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Panic Button (not in the MovieCove catalog yet)(1964)

    Cinematographer · Lighting Director

  • Scanzonatissimo (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • Journey Beneath the Desert (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • The Last of the Vikings(1961)

    Cinematographer

    Midcredits score: 8th percentile of all films

  • The Loves of Hercules(1960)

    Cinematographer

    Midcredits score: 1st percentile of all films

  • The Dam on the Yellow River (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Love on the Riviera (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Raw Wind in Eden (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Angel in a Taxi (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • The Woman Who Came from the Sea (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • Angels at the Wheel (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • La puerta abierta (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • White Vertigo(1956)

    Cinematographer

    Midcredits score: 70th percentile of all films

  • Girls of Today (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • The Miller's Beautiful Wife(1955)

    Cinematographer

    Midcredits score: 41st percentile of all films

  • Giove in doppiopetto (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • The Island Princess (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • Woman of Rome (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • Journey to Italy(1954)

    Cinematographer

    Midcredits score: 89th percentile of all films

  • The Bed(1954)

    Cinematographer

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • Clothing the Naked (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • The Stranger's Hand(1954)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • We, the Women (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • The Vanquished(1953)

    Cinematographer

    Midcredits score: 60th percentile of all films

  • Eager to Live (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • The Lady Without Camelias (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • The City Stands Trial (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • L'invidia (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • The Seven Deadly Sins(1952)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • Marito e Moglie (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • The Medium (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • Double Cross(1951)

    Cinematographer

    Midcredits score: 46th percentile of all films

  • Story of a Love Affair(1950)

    Cinematographer

    Midcredits score: 81st percentile of all films

  • Ha entrado un ladrón (not in the MovieCove catalog yet)(1950)

    Cinematographer

  • Conflicto inesperado (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • A Christmas Carol (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • Cuando los ángeles duermen (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • Un ladrón de guante blanco (not in the MovieCove catalog yet)(1946)

    Cinematographer

  • La zia di Carlo (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Confessione (not in the MovieCove catalog yet)(1941)

    Camera Operator

Career shape

A full career of 50 titles from 1941 to 1973.

Biggest box office

Journey to Italy (1954)

$20K worldwide

Highest rated

Journey to Italy (1954)

Midcredits 89th

By role

only this rolewith another role
Cinematography49 of 50: 48 only cinematography, 1 with another role · typical Midcredits score44thOther crew2 of 50: 1 only other crew, 1 with another role

By decade

1940s6 · crew1950s28 · crew1960s14 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Enzo Serafin's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 14

Approval · how many liked their films

42ndpercentile
Typical film, the median of 14

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th4

Shape of the crowd

None of their 14 titles divides audiences: 6 are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser6
  • Broadly Agreed4
  • Mixed3

Most loved · cinematographer

Journey to Italy (1954)

Midcredits 89th · 75% liked

Reviewers score the cinematography 70/100 in their films, across 9 reviewed titles; fans 75, detractors 59. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Enzo Serafin work with?

People who share at least 2 of Enzo Serafin's MovieCove titles, grouped by what they did on them; Roberto Rossellini shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers