Frank Shaw

What are Frank Shaw's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank Shaw's films?

As of October 24, 2026, none of Frank Shaw's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Frank Shaw's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Lady on a Train(1945)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Can't Help Singing(1944)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  His Butler's Sister(1943)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  The Amazing Mrs. Holliday(1943)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Back Street(1941)

  Producer

  Midcredits score: 71st percentile of all films71^st

Career shape

Across their 5 MovieCove titles from 1941 to 1945.

Biggest box office

Lady on a Train (1945)

$34 worldwide

Highest rated

Lady on a Train (1945)

Midcredits 71^st

How do Frank Shaw's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 67^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 5 are Crowd Pleasers.

5

• Crowd Pleaser5

Most loved · producer

His Butler's Sister (1943)

Midcredits 76^th · 65% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Frank Shaw work with?

People who share at least 2 of Frank Shaw's MovieCove titles, grouped by what they did on them; Deanna Durbin shares the most, 4.