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MovieCove

Leo Townsend

Writer

Works as
Writer
Titles
19 on MovieCove · 30 credits in all
TMDB popularity, last 39 days to Oct 28Down 38% in 30 days

What are Leo Townsend's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

Light 10 · Serious 3 · Dark 3

A split, not a type: Grounded 9 · Stylized 6 · Heightened 1

A split, not a type: Gentle 7 · Charged 5 · Intense 4

Steady 10 · Shifting 5 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 5 · Funny 4

Slow burn 7 · Even-paced 8 · Relentless 1

Casual 8 · Engaged 8 · Full focus 0

Resolved 15 · Open-ended 1 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Leo Townsend's films?

As of October 24, 2026, 10 of their 19 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Leo Townsend's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 19 with a MovieCove page.

  • Fireball 500(1966)

    Writer

    Midcredits score: 17th percentile of all films
  • Midcredits score: 13th percentile of all films
  • Midcredits score: 34th percentile of all films
  • The Man from U.N.C.L.E.(1964)

    Show 1 episode · Writer

    Midcredits score: 79th percentile of all shows
  • I'd Rather Be Rich(1964)

    Writer

    Midcredits score: 74th percentile of all films
  • Bikini Beach(1964)

    Screenplay

    Midcredits score: 26th percentile of all films
  • The Andy Griffith Show(1960)

    Show 1 episode · Writer

    Midcredits score: 93rd percentile of all shows
  • Fräulein(1958)

    Writer

    Midcredits score: 60th percentile of all films
  • Wagon Train(1957)

    Show 1 episode · Writer

    Midcredits score: 62nd percentile of all shows
  • The Shadow on the Window(1957)

    Screenplay

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 40th percentile of all films
  • The Strange Case of Dr. Manning (not in the MovieCove catalog yet)(1957)

    Writer

  • Midcredits score: 29th percentile of all films
  • Running Wild (not in the MovieCove catalog yet)(1955)

    Screenplay

  • A Life in the Balance(1955)

    Screenplay

    Midcredits score: 37th percentile of all films
  • White Feather(1955)

    Screenplay

    Midcredits score: 63rd percentile of all films
  • Vicki (not in the MovieCove catalog yet)(1953)

    Additional Writing

  • Dangerous Crossing (not in the MovieCove catalog yet)(1953)

    Screenplay

  • One Big Affair (not in the MovieCove catalog yet)(1952)

    Screenplay

  • Southside 1-1000 (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Lux Video Theatre (not in the MovieCove catalog yet)(1950)

    Show 1 episode · Screenplay

  • Black Hand (not in the MovieCove catalog yet)(1950)

    Story

  • Port of New York(1949)

    Dialogue

    Midcredits score: 35th percentile of all films
  • That Way with Women (not in the MovieCove catalog yet)(1947)

    Screenplay

  • Night and Day(1946)

    Screenplay

    Midcredits score: 44th percentile of all films
  • Midcredits score: 50th percentile of all films
  • Chip Off the Old Block (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Midcredits score: 61st percentile of all films
  • Seven Sweethearts (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Midcredits score: 95th percentile of all films

Career shape

A full career of 30 titles from 1941 to 1966.

By role

only this rolewith another role
Writing29 of 30: 29 only writing, 0 with another role · typical Midcredits score44thOther crew1 of 30: 1 only other crew, 0 with another role

By decade

1940s8 · crew1950s15 · crew1960s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Leo Townsend's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 16

Approval · how many liked their films

37thpercentile
Typical film, the median of 16

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 16

Midcredits score across 19 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th8
  • Below 25th2

Reviewers score the dialogue 43/100 and the plot and story 41/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Leo Townsend work with?

People who share at least 2 of Leo Townsend's MovieCove titles, grouped by what they did on them; William Asher shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers