
Norma Shearer
Actor · Died June 12, 1983, aged 80 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- August 10, 1902
- June 12, 1983 (aged 80)
- Montreal, Quebec, Canada
- Actor
- 18 on MovieCove · 74 credits in all
What are Norma Shearer's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 13
Light 5 · Serious 6 · Dark 5
A split, not a type: Grounded 7 · Stylized 6 · Heightened 3
Gentle 3 · Charged 10 · Intense 3
Steady 6 · Shifting 8 · Whiplash 2
A split, not a type: Straight-faced 9 · Some laughs 4 · Funny 3
Slow burn 9 · Even-paced 7 · Relentless 0
A split, not a type: Casual 7 · Engaged 9 · Full focus 0
A split, not a type: Easy watch 8 · Affecting 5 · Heavy 3
Resolved 12 · Open-ended 4 · Ambiguous 0
Roles they play
Usually the Hero: 9 of 12 analyzed roles.
Show the 12 rolesHide the roles
- Allyas Consuelo in He Who Gets Slapped (1924)
- Heroas Molly Helmer in Lady of the Night (1925)
- Heroas Jerry in The Divorcee (1930)
- Heroas Kitty Brown in Let Us Be Gay (1930)
- Shapeshifteras Kitty Brown in Let Us Be Gay (1930)
- Heroas Jan Ashe in A Free Soul (1931)
- Heroas Amanda in Private Lives (1931)
- Heroas Nina Leeds in Strange Interlude (1932)
- Heroas Elizabeth Barrett in The Barretts of Wimpole Street (1934)
- Heroas Lady Mary Rexford in Riptide (1934)
- Heroas Marie Antoinette in Marie Antoinette (1938)
- Shapeshifteras Irene in Idiot's Delight (1939)
Moods and endings
- Happy4
- Bittersweet9
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Norma Shearer's films?
As of October 24, 2026, 4 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Norma Shearer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
74 credits, 18 with a MovieCove page; 27 appearances as themselves are hidden until asked for.

1939: Secrets of Hollywood's Golden Year (not in the MovieCove catalog yet)(2023)
Midcredits score: 86th percentile of all films
Midcredits score: 90th percentile of all films
That's Entertainment!(1974)
Midcredits score: 92nd percentile of all films
MGM Parade (not in the MovieCove catalog yet)(1955)

Twenty Years After (not in the MovieCove catalog yet)(1944)

Her Cardboard Lover (not in the MovieCove catalog yet)(1942)

We Were Dancing(1942)
Midcredits score: 44th percentile of all films
Escape (not in the MovieCove catalog yet)(1940)

The Women(1939)
Midcredits score: 94th percentile of all films
Screen Snapshots Series 18, No. 8 (not in the MovieCove catalog yet)(1939)

Idiot's Delight(1939)
Midcredits score: 60th percentile of all films
Marie Antoinette(1938)
Midcredits score: 87th percentile of all films
Romeo and Juliet (not in the MovieCove catalog yet)(1936)

Master Will Shakespeare (not in the MovieCove catalog yet)(1936)
Midcredits score: 72nd percentile of all films
Riptide(1934)
Midcredits score: 55th percentile of all films
The Film Parade (not in the MovieCove catalog yet)(1933)

Strange Interlude(1932)
Midcredits score: 30th percentile of all films
Smilin' Through(1932)
Midcredits score: 71st percentile of all films
The Movie Album (not in the MovieCove catalog yet)(1932)

Private Lives(1931)
Midcredits score: 71st percentile of all films
A Free Soul(1931)
Midcredits score: 62nd percentile of all films
Strangers May Kiss (not in the MovieCove catalog yet)(1931)

The Stolen Jools (not in the MovieCove catalog yet)(1931)

Let Us Be Gay(1930)
Midcredits score: 48th percentile of all films
The Divorcee(1930)
Midcredits score: 66th percentile of all films
Their Own Desire (not in the MovieCove catalog yet)(1929)

The Last of Mrs. Cheyney (not in the MovieCove catalog yet)(1929)

The Trial of Mary Dugan (not in the MovieCove catalog yet)(1929)

A Man's Man (not in the MovieCove catalog yet)(1929)

A Lady of Chance (not in the MovieCove catalog yet)(1928)

The Actress (not in the MovieCove catalog yet)(1928)

The Latest from Paris (not in the MovieCove catalog yet)(1928)

The Student Prince in Old Heidelberg (not in the MovieCove catalog yet)(1928)

After Midnight (not in the MovieCove catalog yet)(1927)

The Demi-Bride (not in the MovieCove catalog yet)(1927)

Upstage (not in the MovieCove catalog yet)(1926)

The Waning Sex (not in the MovieCove catalog yet)(1926)

The Devil's Circus (not in the MovieCove catalog yet)(1926)

His Secretary (not in the MovieCove catalog yet)(1925)

The Tower of Lies (not in the MovieCove catalog yet)(1925)

Pretty Ladies (not in the MovieCove catalog yet)(1925)

A Slave of Fashion (not in the MovieCove catalog yet)(1925)
The End of the World (not in the MovieCove catalog yet)(1925)

The End of the World (not in the MovieCove catalog yet)(1925)

Waking Up the Town (not in the MovieCove catalog yet)(1925)

Lady of the Night(1925)
Midcredits score: 60th percentile of all films
Excuse Me (not in the MovieCove catalog yet)(1925)

He Who Gets Slapped(1924)
Midcredits score: 96th percentile of all films
The Snob (not in the MovieCove catalog yet)(1924)

Married Flirts (not in the MovieCove catalog yet)(1924)

Broken Barriers (not in the MovieCove catalog yet)(1924)

Empty Hands (not in the MovieCove catalog yet)(1924)

Broadway After Dark (not in the MovieCove catalog yet)(1924)

Blue Water (not in the MovieCove catalog yet)(1924)

The Wolf Man (not in the MovieCove catalog yet)(1924)

The Trail of the Law (not in the MovieCove catalog yet)(1924)

Lucretia Lombard (not in the MovieCove catalog yet)(1923)

The Wanters (not in the MovieCove catalog yet)(1923)

Pleasure Mad (not in the MovieCove catalog yet)(1923)

The Devil's Partner (not in the MovieCove catalog yet)(1923)

Man and Wife (not in the MovieCove catalog yet)(1923)

A Clouded Name (not in the MovieCove catalog yet)(1923)

Channing of the Northwest (not in the MovieCove catalog yet)(1922)

The Taming of the Shrewd (not in the MovieCove catalog yet)(1922)

The Bootleggers (not in the MovieCove catalog yet)(1922)

The Man Who Paid (not in the MovieCove catalog yet)(1922)

The Restless Sex (not in the MovieCove catalog yet)(1920)

The Stealers (not in the MovieCove catalog yet)(1920)

Torchy's Millions (not in the MovieCove catalog yet)(1920)

Way Down East(1920)
Midcredits score: 87th percentile of all films
The Flapper (not in the MovieCove catalog yet)(1920)

The Star Boarder (not in the MovieCove catalog yet)(1919)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 74 titles from 1919 to 2023.

Biggest box office
The Hollywood Revue of 1929 (1929)

Highest rated
He Who Gets Slapped (1924)

Most popular right now
Smilin' Through (1932)
Film career
Top draw in 5 MovieCove titles.
- 1920Screen debut· Way Down East
- 1930First top-billed film· The Divorcee
- 1939Career best· The Women
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Norma Shearer's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 18; across their 16 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up7
- 50th to 74th8
- 25th to 49th3
Shape of the crowd
10 of their 18 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser10
- Broadly Agreed1
- Mixed2
Reviewers score the acting 74/100 in their films, across 15 reviewed titles; fans 81, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Norma Shearer work with?
People who share at least 2 of Norma Shearer's MovieCove titles, grouped by what they did on them; Irving Thalberg shares the most, 11.
Directors
- Robert Z. LeonardShared titles: We Were Dancing (1942), Strange Interlude (1932), Let Us Be Gay (1930), The Divorcee (1930)See all 4 shared titles with Robert Z. Leonard

- Sidney FranklinShared titles: The Barretts of Wimpole Street (1934), Smilin' Through (1932), Private Lives (1931)See all 3 shared titles with Sidney Franklin

- Clarence BrownShared titles: Idiot's Delight (1939), A Free Soul (1931)See all 2 shared titles with Clarence Brown

Writers
- Claudine WestShared titles: We Were Dancing (1942), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 4 shared titles with Claudine West
- Donald Ogden StewartShared titles: The Women (1939), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 4 shared titles with Donald Ogden Stewart

- Ernest VajdaShared titles: Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 3 shared titles with Ernest Vajda

- Noël CowardShared titles: We Were Dancing (1942), Private Lives (1931)See all 2 shared titles with Noël Coward

Actors
- Clark GableShared titles: Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008), Idiot's Delight (1939), Strange Interlude (1932), A Free Soul (1931)See all 4 shared titles with Clark Gable

- Joan CrawfordShared titles: Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008), The Women (1939), The Hollywood Revue of 1929 (1929), Lady of the Night (1925)See all 4 shared titles with Joan Crawford

- Ralph ForbesShared titles: Riptide (1934), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 3 shared titles with Ralph Forbes

- Robert MontgomeryShared titles: Riptide (1934), Private Lives (1931), The Divorcee (1930)See all 3 shared titles with Robert Montgomery

Composers, cinematographers and editors
- Herbert StothartShared titles: Idiot's Delight (1939), Marie Antoinette (1938), Riptide (1934), The Barretts of Wimpole Street (1934)See all 4 shared titles with Herbert Stothart

- William H. DanielsShared titles: Idiot's Delight (1939), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), A Free Soul (1931)See all 4 shared titles with William H. Daniels

- Margaret BoothShared titles: Riptide (1934), The Barretts of Wimpole Street (1934), Smilin' Through (1932), Strange Interlude (1932)See all 4 shared titles with Margaret Booth

- Robert KernShared titles: Idiot's Delight (1939), The Women (1939), Marie Antoinette (1938)See all 3 shared titles with Robert Kern
Producers
- Irving ThalbergShared titles: Marie Antoinette (1938), Riptide (1934), The Barretts of Wimpole Street (1934), Smilin' Through (1932), Strange Interlude (1932), A Free Soul (1931), Private Lives (1931), Let Us Be Gay (1930), The Divorcee (1930), The Hollywood Revue of 1929 (1929), He Who Gets Slapped (1924)See all 11 shared titles with Irving Thalberg

- Hunt StrombergShared titles: Idiot's Delight (1939), The Women (1939), Marie Antoinette (1938)See all 3 shared titles with Hunt Stromberg


