Claudine West
Writer · Died April 11, 1943, aged 53 · Nottingham, England, UK
- January 16, 1890
- April 11, 1943 (aged 53)
- Nottingham, England, UK
- Writer
- 16 on MovieCove · 25 credits in all
What are Claudine West's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 14
A split, not a type: Light 6 · Serious 5 · Dark 4
A split, not a type: Grounded 8 · Stylized 5 · Heightened 2
Gentle 4 · Charged 10 · Intense 1
Steady 8 · Shifting 7 · Whiplash 0
Straight-faced 11 · Some laughs 3 · Funny 1
Slow burn 12 · Even-paced 3 · Relentless 0
A split, not a type: Casual 7 · Engaged 8 · Full focus 0
Easy watch 3 · Affecting 8 · Heavy 4
Resolved 14 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet10
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Claudine West's films?
As of October 24, 2026, 3 of their 16 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Claudine West's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 16 with a MovieCove page.
Midcredits score: 80th percentile of all films
Forever and a Day(1943)
Midcredits score: 78th percentile of all films
Random Harvest(1942)
Midcredits score: 96th percentile of all films
Mrs. Miniver(1942)
Midcredits score: 91st percentile of all films
We Were Dancing(1942)
Midcredits score: 44th percentile of all films
The Chocolate Soldier(1941)
Midcredits score: 40th percentile of all films
The Mortal Storm(1940)
Midcredits score: 96th percentile of all films
Goodbye, Mr. Chips(1939)
Midcredits score: 95th percentile of all films
On Borrowed Time(1939)
Midcredits score: 94th percentile of all films
Marie Antoinette(1938)
Midcredits score: 87th percentile of all films
The Good Earth(1937)
Midcredits score: 82nd percentile of all films
Midcredits score: 72nd percentile of all films
Queen Christina(1933)
Midcredits score: 92nd percentile of all films
Reunion in Vienna (not in the MovieCove catalog yet)(1933)

The Son-Daughter (not in the MovieCove catalog yet)(1932)

Payment Deferred (not in the MovieCove catalog yet)(1932)

Smilin' Through(1932)
Midcredits score: 71st percentile of all films
Private Lives(1931)
Midcredits score: 71st percentile of all films
The Guardsman (not in the MovieCove catalog yet)(1931)

Jenny Lind (not in the MovieCove catalog yet)(1931)

Son of India (not in the MovieCove catalog yet)(1931)

Just a Gigolo (not in the MovieCove catalog yet)(1931)

A Lady's Morals(1930)
Midcredits score: 8th percentile of all films
The Lady of Scandal (not in the MovieCove catalog yet)(1930)

The Last of Mrs. Cheyney (not in the MovieCove catalog yet)(1929)
Career shape
A full career of 24 titles from 1929 to 1944.

Biggest box office
Random Harvest (1942)

Highest rated
Random Harvest (1942)

Most popular right now
Mrs. Miniver (1942)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Claudine West's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up10
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 16 titles divides audiences: 8 are Universally Loved.
- Universally Loved8
- Crowd Pleaser5
- Broadly Agreed1
- Mixed2
Reviewers score the dialogue 55/100 and the plot and story 51/100 in their films, across 15 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Claudine West's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Claudine West work with?
People who share at least 2 of Claudine West's MovieCove titles, grouped by what they did on them; Sidney Franklin shares the most, 8.
Directors
- Sidney FranklinShared titles: The White Cliffs of Dover (1944), Random Harvest (1942), Goodbye, Mr. Chips (1939), On Borrowed Time (1939), The Good Earth (1937), The Barretts of Wimpole Street (1934), Smilin' Through (1932), A Lady's Morals (1930)See all 8 shared titles with Sidney Franklin

- Sam WoodShared titles: Goodbye, Mr. Chips (1939), The Good Earth (1937)See all 2 shared titles with Sam Wood

Writers
- George FroeschelShared titles: The White Cliffs of Dover (1944), Mrs. Miniver (1942), Random Harvest (1942), We Were Dancing (1942), The Mortal Storm (1940)See all 5 shared titles with George Froeschel
- Ernest VajdaShared titles: The Chocolate Soldier (1941), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Queen Christina (1933), Smilin' Through (1932)See all 5 shared titles with Ernest Vajda

- Donald Ogden StewartShared titles: Forever and a Day (1943), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 4 shared titles with Donald Ogden Stewart

- James HiltonShared titles: Forever and a Day (1943), Mrs. Miniver (1942), Goodbye, Mr. Chips (1939)See all 3 shared titles with James Hilton

Actors
- Norma ShearerShared titles: We Were Dancing (1942), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Smilin' Through (1932)See all 4 shared titles with Norma Shearer

- Reginald OwenShared titles: Mrs. Miniver (1942), Random Harvest (1942), We Were Dancing (1942), Queen Christina (1933)See all 4 shared titles with Reginald Owen

- C. Aubrey SmithShared titles: The White Cliffs of Dover (1944), Forever and a Day (1943), Queen Christina (1933)See all 3 shared titles with C. Aubrey Smith

- May WhittyShared titles: The White Cliffs of Dover (1944), Forever and a Day (1943), Mrs. Miniver (1942)See all 3 shared titles with May Whitty

Composers, cinematographers and editors
- Herbert StothartShared titles: The White Cliffs of Dover (1944), Marie Antoinette (1938), The Good Earth (1937), The Barretts of Wimpole Street (1934), Queen Christina (1933)See all 5 shared titles with Herbert Stothart

- William H. DanielsShared titles: The Mortal Storm (1940), Marie Antoinette (1938), The Barretts of Wimpole Street (1934), Queen Christina (1933)See all 4 shared titles with William H. Daniels

- Margaret BoothShared titles: The Barretts of Wimpole Street (1934), Smilin' Through (1932), A Lady's Morals (1930)See all 3 shared titles with Margaret Booth

- George J. FolseyShared titles: The White Cliffs of Dover (1944), Marie Antoinette (1938)See all 2 shared titles with George J. Folsey

Producers
- Irving ThalbergShared titles: Marie Antoinette (1938), The Good Earth (1937), The Barretts of Wimpole Street (1934), Smilin' Through (1932), A Lady's Morals (1930)See all 5 shared titles with Irving Thalberg

- Victor SavilleShared titles: Forever and a Day (1943), The Chocolate Soldier (1941), The Mortal Storm (1940), Goodbye, Mr. Chips (1939)See all 4 shared titles with Victor Saville

- Albert LewinShared titles: The Good Earth (1937), Smilin' Through (1932)See all 2 shared titles with Albert Lewin

Mixed roles
- Cedric HardwickeShared titles: Forever and a Day (1943), On Borrowed Time (1939)See all 2 shared titles with Cedric Hardwicke

