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Gary Sherman

Gary Sherman

Writer, director and producer, also actor · Born August 28, 1945 (81) · Chicago, Illinois, USA

Gary Sherman (born August 28, 1945) is an American film director, producer, and writer from Chicago, Illinois. He began his career directing short films, commercials, industrials, and documentaries while still an undergraduate at IIT's Institute of Design. After graduating, Gary moved to London, England, where he continued directing commercials and also co-wrote and directed his first feature film, Death Line starring Donald Pleasence. The British Film Institute called this debut "The Most Significant Directorial Debut of the Year". Upon relocating to Los Angeles, California, he continued writing and collaborating on many feature scripts. He also wrote and directed several television pilots. Avco-Embassy producer Ronald Shusett asked Sherman to direct the 1981 horror film Dead & Buried, and Sherman followed that film with the action-thriller Vice Squad shot by Stanley Kubrick's DP John Alcott. Like Death Line, these films often polarized critics and audiences and have since gone on to become genre classics. Next he co-wrote and directed the thriller Wanted: Dead or Alive starring Rutger Hauer and Gene Simmons. Teamed with Gene, the award-winning Rock Against Drugs public service campaign for MTV came about as well as the pilot for the ABC series Sable.

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Biography from TMDB.

Born
August 28, 1945 (81)
From
Chicago, Illinois, USA
Works as
Writer, director and producer, also actor
Titles
9 on MovieCove · 19 credits in all
TMDB popularity, last 38 days to Oct 27Down 16% in 30 days

What are Gary Sherman's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 5

Grounded 7 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 6

A split, not a type: Steady 5 · Shifting 2 · Whiplash 2

Straight-faced 9 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 5 · Relentless 0

Casual 2 · Engaged 7 · Full focus 0

Resolved 8 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Dread
4
Melancholic
3
Thrilling
2
Absurd
1
Other
4

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gary Sherman's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Gary Sherman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 9 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Midcredits score: 38th percentile of all films
  • 39: A Film by Carroll McKane (not in the MovieCove catalog yet)(2006)

    Director

  • The Glow (not in the MovieCove catalog yet)(2002)

    Teleplay

  • First Wave (not in the MovieCove catalog yet)(1998)

    Show 1 episode · Writer

  • Missing Persons(1993)

    Show Creator

    Midcredits score: 46th percentile of all shows (provisional, few ratings)
  • Murderous Vision (not in the MovieCove catalog yet)(1991)

    Director · Producer

  • Fire and Rain (not in the MovieCove catalog yet)(1990)

    Writer

  • After the Shock (not in the MovieCove catalog yet)(1990)

    Director · Writer

  • Lisa(1990)

    Director · Producer · Writer

    Midcredits score: 40th percentile of all films
  • Poltergeist III(1988)

    Director · Executive Producer · Screenplay

    Midcredits score: 9th percentile of all films
  • Sable (not in the MovieCove catalog yet)(1987)

    Show 1 episode · Writer

  • Wanted: Dead or Alive(1986)

    Director · Writer

    Midcredits score: 39th percentile of all films
  • The Streets (not in the MovieCove catalog yet)(1984)

    Director · Writer

  • Mysterious Two (not in the MovieCove catalog yet)(1982)

    Director · Writer

  • Vice Squad(1982)

    Director · Writer

    Midcredits score: 60th percentile of all films
  • Dead & Buried(1981)

    Director

    Midcredits score: 65th percentile of all films
  • Phobia (not in the MovieCove catalog yet)(1980)

    Story

  • Midcredits score: 8th percentile of all films
  • Death Line(1972)

    Director · Original Story

    Midcredits score: 40th percentile of all films

Career shape

A full career of 18 titles from 1972 to 2006.

By role

only this rolewith another role
Directing11 of 18: 3 only directing, 8 with another role · typical Midcredits score40thWriting13 of 18: 6 only writing, 7 with another role · typical Midcredits score39thProducing3 of 18: 0 only producing, 3 with another roleOther crew1 of 18: 1 only other crew, 0 with another role

18 titles, 8 with more than one role — writing and directing overlap on 7 of them.

By decade

1970s2 · crew1980s8 · crew1990s6 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gary Sherman's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 8; across their 9 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 9

Approval · how many liked their films

38thpercentile
Typical film, the median of 9

Reach · how many have seen their films

75thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 50th to 74th2
  • 25th to 49th5
  • Below 25th2

Reviewers score the dialogue 44/100 and the plot and story 40/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Gary Sherman's work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles69–89 · median 82 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity4 titlesmedian 37 · moderateMedian of all films: 32
Profanity4 titlesmedian 44 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Gary Sherman work with?

People who share at least 2 of Gary Sherman's MovieCove titles, grouped by what they did on them; Joe Renzetti shares the most, 5.

Writers

Actors

Composers, cinematographers and editors

Producers